Sketches of Japanese Manners and CustomsSilver, J. M. W. (Jacob Mortimer Wier)
History
Sketches of Japanese Manners and Customs
Silver, J. M. W. (Jacob Mortimer Wier)
Japan -- Social life and customs
In their homes, the aristocracy are as simple in their habits as the
rest of the people. They are much given to study, the favourite
subjects being poetry,[3] history, astronomy, and logic. The children
are usually taught the rudiments of education by their mothers, and as
they advance in years, are either privately instructed by masters or
sent to the great schools at Miako, which are said to be attended by
upwards of four thousand scholars.
[Footnote 3: A very interesting volume of translations of Japanese
Lyrical Odes has lately been published by F.V. Dickins, Esq. M.B.:
Smith, Elder, & Co.]
CHAPTER V.
THE COURT OF THE MIKADO.
The spiritual Emperor of Japan is supposed to be a direct descendant
of the gods, and as such enjoys the adoration, as well as the fealty
of his subjects. Unfortunately, his divine attributes deprive him of
the free exercise of his human functions, as his feet are never
permitted to touch the ground out of doors; nor is he allowed to cut
his hair, beard, or nails, or to expose himself to the rays of the
sun, which, would detract from the excellency of his person. His
principal titles are, 'Zen Zi'--'Son of Heaven;' 'Mikado,'--'Emperor;'
and 'Dairi,' or 'Kinrai,'--'Grand Interior:' the latter denoting the
perpetual seclusion of his person. It is said that his ancestry can be
traced in an unbroken line from nearly 700 years before the Christian
era.
The Mikado never goes beyond the precincts of the Imperial residence,
which occupies a large portion of the city of Miako, comprising
numerous palaces and gardens; and connected with it are the schools
alluded to in the last chapter, which are established on the plan of a
university, and are much resorted to by the children of the nobility.
[Illustration: A MINISTER OF THE MIKADO ON A RELIGIOUS EXPEDITION.]
Whenever this great personage wishes to take an airing, he is carried
by fourteen men in a large norimon with latticed windows, through
which he is able to see without being seen; and even when granting an
audience he is said to be concealed from view by bamboo screen-work.
His court consists of the members of his own family and certain great
officers of State appointed by the Tycoon, who nominally receive and
promulgate his commands; but, in ordinary times, he has no real power
in the temporal affairs of the empire, and only refuses to confer
legality on the acts of his lieutenant under the pressure of intrigue,
or of undue family influence.
Public-domain text, read in full here on John Shaqi.
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