Sketches of Japanese Manners and CustomsSilver, J. M. W. (Jacob Mortimer Wier)
History
Sketches of Japanese Manners and Customs
Silver, J. M. W. (Jacob Mortimer Wier)
Japan -- Social life and customs
Their principal athletic amusement is wrestling, which may he regarded
as the national game of the country. It is very generally practised,
and pairs of 'brawny fellows' are to be frequently met with of an
evening in the outskirts of towns and villages, either crouched down
in the preliminary attitude, which resembles that of angry
fighting-cocks, or dragging one another to and fro like frogs
struggling over a choice morsel. The game is necessarily a dragging
and pulling one, its grand object being to force the opponent beyond a
certain boundary.
So popular is it, that in addition to public performers, who travel
about the country exhibiting their prowess, the Daimios keep private
bands: each district has some especial champion; and every Japanese a
favourite '_smoo_' as they term the wrestlers, whose exploits are
canvassed with an enthusiasm totally at variance with the stolid
indifference which usually characterises the people, when any subject
is broached that does not directly concern their ordinary vocations.
The professional wrestlers are generally men of herculean proportions.
From constant practice they attain a muscular development that would
eclipse that of our prize-ring champions; but their paunchy figures
and sluggish movements render any further comparison impossible, as
they neither practise nor appreciate what we call training. Size and
weight are prized more than activity in the limited arena to which
their performances are confined: so, instead of walking down
superabundant flesh, they endeavour to increase it, dieting themselves
on rice and fish, which is far from productive of any Bantingite
result. The illustration of the Great Wrestling Amphitheatre at Yeddo
conveys a fair idea of the estimation in which athletic games are held
by the Japanese. The enclosure is capable of containing several
thousand spectators, and is always filled when a match of importance
takes place.
In the centre is the '_docho_,' or 'boundary-ring,' which is about
eighteen feet in diameter. The game is generally decided by one or
other of the combatants being forced against this boundary; for,
although a fair throw counts, it rarely decides the mastery, as the
great weight and the crouching position of the wrestlers necessitate
dragging, pushing, and even carrying; and the tenacity of their grasp
is such, that any other results are almost impossible.
The price of admission to these exhibitions is very low; and, like
everything else of a public nature, is regulated by the government
Officials are appointed to superintend the arrangements, and to see
that no accidents arise from overcrowding. For this purpose they are
provided with a box that overlooks the whole building.
The lofty scaffolding outside the enclosure is a time stage, from
which the commencement and duration of each match are intimated to the
audience by a certain number of strokes on the drum that surmounts it.
[Illustration: PUBLIC WRESTLING IN THE GREAT AMPHITHEATRE AT VEDDO.]
Public-domain text, read in full here on John Shaqi.
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