Sketches of the Fair Sex, in All Parts of the World.: To which are added rules for determining the precise figure, the degree of beauty, the habits, and the age of women, notwithstanding the aids and disguise of dress. — John Shaqi
Sketches of the Fair Sex, in All Parts of the World.: To which are added rules for determining the precise figure, the degree of beauty, the habits, and the age of women, notwithstanding the aids and disguise of dress.Anonymous
History
Sketches of the Fair Sex, in All Parts of the World.: To which are added rules for determining the precise figure, the degree of beauty, the habits, and the age of women, notwithstanding the aids and disguise of dress.
Anonymous
Women
The laws and the public institutions, indeed, by authorizing the
privacy of women, set a high value on the sanctity of the marriage vow.
But in Athens, imagination, sentiment, luxury, the taste in arts and
pleasures, was opposite to the laws. The courtezans, therefore may be
said to have come in support of the manners.
There was no check upon public licentiousness; but private infidelity,
which concerned the peace of families, was punished as a crime. By a
strange and perhaps unequalled singularity the men were corrupted, yet
the domestic manners were pure. It seems as if the courtezans had not
been considered to belong to their sex; and, by a convention to which
the laws and the manners bended, while other women were estimated merely
by their virtues, they were estimated only by their accomplishments.
These reasons will in some measure, account for the honors, which the
votaries of Venus so often received in Greece. Otherwise we should have
been at a loss to conceive, why six or seven writers had exerted their
talents to celebrate the courtezans of Athens--why three great painters
had uniformly devoted their pencils to represent them on canvass--and
why so many poets had strove to immortalize them in verses. We should
hardly have believed that so many illustrious men had courted their
society--that Aspasia had been consulted in deliberations of peace and
war--that Phryne had a statue of gold placed between the statues of two
kings at Delphos--that, after death, magnificent tombs had been erected
to their memory.
"The traveller," says a Greek writer, "who, approaching to Athens, sees
on the side of the way a monument which attracts his notice at a
distance, will imagine that it is the tomb of Miltiades or Pericles, or
of some other great man, who has done honor to his country by his
services. He advances, he reads, and he learns that it is a courtezan of
Athens who is interred with so much pomp."
Theopompus, in a letter to Alexander the Great, speaks also of the same
monument in words to the following effect--"Thus, after her death, is a
prostitute honored; while not one of those brave warriors who fell in
Asia, fighting for you, and for the safety of Greece, has so much as a
stone erected to his memory, or an inscription to preserve his ashes
from insult."
Such was the homage which that enthusiastic people, voluptuous and
passionate, paid to beauty. More guided by sentiment than reason, and
having laws rather than principles, they banished their great men,
honored their courtezans, murdered Socrates, permitted themselves to be
governed by Aspasia, preserved inviolate the marriage bed, and placed
Phryne in the temple of Apollo!
ROMAN WOMEN.
Public-domain text, read in full here on John Shaqi.
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