Couples -- England; England -- Social life and customs -- 19th century
This sentiment communicates new impulse to Mrs. Sliverstone, who launches
into new praises of Mr. Sliverstone’s worth and excellence, to which he
listens in the same meek silence, save when he puts in a word of
self-denial relative to some question of fact, as—‘Not seventy-two
christenings that week, my dear. Only seventy-one, only seventy-one.’
At length his lady has quite concluded, and then he says, Why should he
repine, why should he give way, why should he suffer his heart to sink
within him? Is it he alone who toils and suffers? What has she gone
through, he should like to know? What does she go through every day for
him and for society?
With such an exordium Mr. Sliverstone launches out into glowing praises
of the conduct of Mrs. Sliverstone in the production of eight young
children, and the subsequent rearing and fostering of the same; and thus
the husband magnifies the wife, and the wife the husband.
This would be well enough if Mr. and Mrs. Sliverstone kept it to
themselves, or even to themselves and a friend or two; but they do not.
The more hearers they have, the more egotistical the couple become, and
the more anxious they are to make believers in their merits. Perhaps
this is the worst kind of egotism. It has not even the poor excuse of
being spontaneous, but is the result of a deliberate system and malice
aforethought. Mere empty-headed conceit excites our pity, but
ostentatious hypocrisy awakens our disgust.
THE COUPLE WHO CODDLE THEMSELVES
MRS. MERRYWINKLE’S maiden name was Chopper. She was the only child of
Mr. and Mrs. Chopper. Her father died when she was, as the play-books
express it, ‘yet an infant;’ and so old Mrs. Chopper, when her daughter
married, made the house of her son-in-law her home from that time
henceforth, and set up her staff of rest with Mr. and Mrs. Merrywinkle.
Mr. and Mrs. Merrywinkle are a couple who coddle themselves; and the
venerable Mrs. Chopper is an aider and abettor in the same.
Mr. Merrywinkle is a rather lean and long-necked gentleman, middle-aged
and middle-sized, and usually troubled with a cold in the head. Mrs.
Merrywinkle is a delicate-looking lady, with very light hair, and is
exceedingly subject to the same unpleasant disorder. The venerable Mrs.
Chopper—who is strictly entitled to the appellation, her daughter not
being very young, otherwise than by courtesy, at the time of her
marriage, which was some years ago—is a mysterious old lady who lurks
behind a pair of spectacles, and is afflicted with a chronic disease,
respecting which she has taken a vast deal of medical advice, and
referred to a vast number of medical books, without meeting any
definition of symptoms that at all suits her, or enables her to say,
‘That’s my complaint.’ Indeed, the absence of authentic information upon
the subject of this complaint would seem to be Mrs. Chopper’s greatest
ill, as in all other respects she is an uncommonly hale and hearty
gentlewoman.
Public-domain text, read in full here on John Shaqi.
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