But the little housemaid is awakened from her reverie, for forth from the door of the magical corner house there runs towards her, all fluttering in smart new dress and streaming ribands, her friend Jane Adams, who comes all out of breath to redeem a solemn promise of taking her in, under cover of the confusion, to see the breakfast table spread forth in state, and—sight of sights!—her young mistress ready dressed for church. And there, in good truth, when they have stolen up-stairs on tip-toe and edged themselves in at the chamber-door—there is Miss Emma ‘looking like the sweetest picter,’ in a white chip bonnet and orange flowers, and all other elegancies becoming a bride, (with the make, shape, and quality of every article of which the girl is perfectly familiar in one moment, and never forgets to her dying day)—and there is Miss Emma’s mamma in tears, and Miss Emma’s papa comforting her, and saying how that of course she has been long looking forward to this, and how happy she ought to be—and there too is Miss Emma’s sister with her arms round her neck, and the other bridesmaid all smiles and tears, quieting the children, who would cry more but that they are so finely dressed, and yet sob for fear sister Emma should be taken away—and it is all so affecting, that the two servant-girls cry more than anybody; and Jane Adams, sitting down upon the stairs, when they have crept away, declares that her legs tremble so that she don’t know what to do, and that she will say for Miss Emma, that she never had a hasty word from her, and that she does hope and pray she may be happy.