Couples -- England; England -- Social life and customs -- 19th century
The old gentleman is eighty years old, to-day—‘Eighty years old, Crofts,
and never had a headache,’ he tells the barber who shaves him (the barber
being a young fellow, and very subject to that complaint). ‘That’s a
great age, Crofts,’ says the old gentleman. ‘I don’t think it’s sich a
wery great age, Sir,’ replied the barber. ‘Crofts,’ rejoins the old
gentleman, ‘you’re talking nonsense to me. Eighty not a great age?’
‘It’s a wery great age, Sir, for a gentleman to be as healthy and active
as you are,’ returns the barber; ‘but my grandfather, Sir, he was
ninety-four.’ ‘You don’t mean that, Crofts?’ says the old gentleman. ‘I
do indeed, Sir,’ retorts the barber, ‘and as wiggerous as Julius Cæsar,
my grandfather was.’ The old gentleman muses a little time, and then
says, ‘What did he die of, Crofts?’ ‘He died accidentally, Sir,’ returns
the barber; ‘he didn’t mean to do it. He always would go a running about
the streets—walking never satisfied _his_ spirit—and he run against a
post and died of a hurt in his chest.’ The old gentleman says no more
until the shaving is concluded, and then he gives Crofts half-a-crown to
drink his health. He is a little doubtful of the barber’s veracity
afterwards, and telling the anecdote to the old lady, affects to make
very light of it—though to be sure (he adds) there was old Parr, and in
some parts of England, ninety-five or so is a common age, quite a common
age.
This morning the old couple are cheerful but serious, recalling old times
as well as they can remember them, and dwelling upon many passages in
their past lives which the day brings to mind. The old lady reads aloud,
in a tremulous voice, out of a great Bible, and the old gentleman with
his hand to his ear, listens with profound respect. When the book is
closed, they sit silent for a short space, and afterwards resume their
conversation, with a reference perhaps to their dead children, as a
subject not unsuited to that they have just left. By degrees they are
led to consider which of those who survive are the most like those
dearly-remembered objects, and so they fall into a less solemn strain,
and become cheerful again.
Public-domain text, read in full here on John Shaqi.
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