Smith and the Pharaohs, and other TalesHaggard, H. Rider (Henry Rider)
General
Smith and the Pharaohs, and other Tales
Haggard, H. Rider (Henry Rider)
Adventure stories, English; Fantasy fiction, English; Short stories, English
“What a beautiful object!” said the Director. “Look! the
handle was of ivory, and that _sacré_ thief of a priest smashed it
out at the socket. It was fresh ivory then; the robbery must have taken
place not long after the burial. See, this magnifying-glass shows it.
Is that all?”
Smith handed him the surviving half of the marvellous necklace that had
been torn in two.
“I have re-threaded it,” he muttered, “but every bead is in
its place.”
“Oh, heavens! How lovely! Note the cutting of those cornelian heads of
Hathor and the gold lotus-blooms between—yes, and the enamelled flies
beneath. We have nothing like it in the Museum.”
So it went on.
“Is that all?” gasped the Director at last, when every object from
the basket glittered before them on the table.
“Yes,” said Smith. “That is—no. I found a broken
statuette hidden in the sand outside the tomb. It is of the queen, but I
thought perhaps you would allow me to keep this.”
“But certainly, Mr. Smith; it is yours indeed. We are not niggards
here. Still, if I might see it——”
From yet another pocket Smith produced the head. The Director gazed at
it, then he spoke with feeling.
“I said just now that you were discreet, Mr. Smith, and I have been
reflecting that you are honest. But now I must add that you are very
clever. If you had not made me promise that this bronze should be yours
before you showed it me—well, it would never have gone into that
pocket again. And, in the public interest, won’t you release me from
the promise?”
“_No_,” said Smith.
“You are perhaps not aware,” went on the Director, with a groan,
“that this is a portrait of Mariette’s unknown queen whom we are
thus able to identify. It seems a pity that the two should be separated;
a replica we could let you have.”
“I am quite aware,” said Smith, “and I will be sure to send
_you_ a replica, with photographs. Also I promise to leave the original
to some museum by will.”
The Director clasped the image tenderly, and, holding it to the light,
read the broken cartouche beneath the breasts.
“‘Ma-Mé, Great Royal Lady. Beloved of ——’
Beloved of whom? Well, of Smith, for one. Take it, monsieur, and hide it
away at once, lest soon there should be another mummy in this
collection, a modern mummy called Smith; and, in the name of Justice,
let the museum which inherits it be not the British, but that of Cairo,
for this queen belongs to Egypt. By the way, I have been told that you
are delicate in the lungs. How is your health now? Our cold winds are
very trying. Quite good? Ah, that is excellent! I suppose that you have
no more articles that you can show me?”
“I have nothing more except a mummied hand, which I found in the
basket with the jewels. The two rings off it lie there. Doubtless it
was removed to get at that bracelet. I suppose you will not mind my
keeping the hand——”
Public-domain text, read in full here on John Shaqi.
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