Smith and the Pharaohs, and other TalesHaggard, H. Rider (Henry Rider)
General
Smith and the Pharaohs, and other Tales
Haggard, H. Rider (Henry Rider)
Adventure stories, English; Fantasy fiction, English; Short stories, English
Replacing the hand in his pocket without looking at the ring—for his
eyes were watching to see whether he was observed—he set it upon his
little finger, which it exactly fitted. (Ma-Mee had worn both of them
upon the third finger of her left hand, the Bes ring as a guard to the
signet.) He had the fancy to approach the effigy of Ma-Mee wearing a
ring which she had worn and that came straight from her finger to his
own.
Smith found the head in its accustomed place. Weeks had gone by since he
looked upon it, and now, to his eyes, it had grown more beautiful than
ever, and its smile was more mystical and living. He drew out the
statuette and began to compare them point by point. Oh, no doubt was
possible! Both were likenesses of the same woman, though the statuette
might have been executed two or three years later than the statue. To
him the face of it looked a little older and more spiritual. Perhaps
illness, or some premonition of her end had then thrown its shadow on
the queen. He compared and compared. He made some rough measurements
and sketches in his pocket-book, and set himself to work out a canon of
proportions.
So hard and earnestly did he work, so lost was his mind that he never
heard the accustomed warning sound which announces that the Museum is
about to close. Hidden behind an altar as he was, in his distant,
shadowed corner, the guardian of the room never saw him as he cast a
last perfunctory glance about the place before departing till the
Saturday morning; for the morrow was Friday, the Mohammedan Sabbath, on
which the Museum remains shut, and he would not be called upon to
attend. So he went. Everybody went. The great doors clanged, were
locked and bolted, and, save for a watchman outside, no one was left in
all that vast place except Smith in his corner, engaged in sketching and
in measurements.
The difficulty of seeing, owing to the increase of shadow, first called
his attention to the fact that time was slipping away. He glanced at
his watch and saw that it was ten minutes to the hour.
“Soon be time to go,” he thought to himself, and resumed his work.
How strangely silent the place seemed! Not a footstep to be heard or the
sound of a human voice. He looked at his watch again, and saw that it
was six o’clock, not five, or so the thing said. But that was
impossible, for the Museum shut at five; evidently the desert sand had
got into the works. The room in which he stood was that known as Room
I, and he had noticed that its Arab custodian often frequented Room K
or the gallery outside. He would find him and ask what was the real
time.
Public-domain text, read in full here on John Shaqi.
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