which all these people treated Gubaryov as a preceptor or chief; they
laid their ideas before him, and submitted them to his judgment; and he
replied by muttering, plucking at his beard, averting his eyes, or by
some disconnected, meaningless words, which were at once seized upon as
the utterances of the loftiest wisdom. Gubaryov himself seldom
interposed in the discussions; but the others strained their lungs to
the utmost to make up for it. It happened more than once that three or
four were shouting for ten minutes together, and all were content and
understood. The conversation lasted till after midnight, and was as
usual distinguished by the number and variety of the subjects discussed.
Madame Suhantchikov talked about Garibaldi, about a certain Karl
Ivanovitch, who had been flogged by the serfs of his own household,
about Napoleon III., about women’s work, about a merchant, Pleskatchov,
who had designedly caused the death of twelve work-women, and had
received a medal for it with the inscription ‘for public services’;
about the proletariat, about the Georgian Prince Tchuktcheulidzov, who
had shot his wife with a cannon, and about the future of Russia.
Pishtchalkin, too, talked of the future of Russia, and of the spirit
monopoly, and of the significance of nationalities, and of how he hated
above everything what was vulgar. There was an outburst all of a sudden
from Voroshilov; in a single breath, almost choking himself, he
mentioned Draper, Virchow, Shelgunov, Bichat, Helmholtz, Star, St.
Raymund, Johann Müller the physiologist, and Johann Müller the
historian--obviously confounding them--Taine, Renan, Shtchapov; and then
Thomas Nash, Peele, Greene.... ‘What sort of queer fish may they be?’
Bambaev muttered bewildered, Shakespeare’s predecessors having the same
relation to him as the ranges of the Alps to Mont Blanc. Voroshilov
replied cuttingly, and he too touched on the future of Russia. Bambaev
also spoke of the future of Russia, and even depicted it in glowing
colours: but he was thrown into special raptures over the thought of
Russian music, in which he saw something. ‘Ah! great indeed!’ and in
confirmation he began humming a song of Varlamov’s, but was soon
interrupted by a general shout, ‘He is singing the _Miserere_ from the
_Trovatore_, and singing it excruciatingly too.’ One little officer was
reviling Russian literature in the midst of the hubbub; another was
quoting verses from _Sparks_; but Tit Bindasov went even further; he
declared that all these swindlers ought to have their teeth knocked out,
... and that’s all about it, but he did not particularise who were the
swindlers alluded to. The smoke from the cigars became stifling; all
were hot and exhausted, every one was hoarse, all eyes were growing dim,
and the perspiration stood out in drops on every face. Bottles of iced
beer were brought in and drunk off instantaneously. ‘What was I saying?’
remarked one; ‘and with whom was I disputing, and about what?’ inquired
another.
Public-domain text, read in full here on John Shaqi.
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