‘Yes, yes,’ he began again, with the special dejected but not peevish
humour peculiar to him, ‘it is all very strange. And there is something
else I want you to note. Let a dozen Englishmen, for example, come
together, and they will at once begin to talk of the sub-marine
telegraph, or the tax on paper, or a method of tanning rats’ skins,--of
something, that’s to say, practical and definite; a dozen Germans, and
of course Schleswig-Holstein and the unity of Germany will be brought on
the scene; given a dozen Frenchmen, and the conversation will infallibly
turn upon amorous adventures, however much you try to divert them from
the subject; but let a dozen Russians meet together, and instantly there
springs up the question--you had an opportunity of being convinced of
the fact this evening--the question of the significance and the future
of Russia, and in terms so general, beginning with creation, without
facts or conclusions. They worry and worry away at that unlucky subject,
as children chew away at a bit of india-rubber--neither for pleasure nor
profit, as the saying is. Well, then, of course the rotten West comes in
for its share. It’s a curious thing, it beats us at every point, this
West--but yet we declare that it’s rotten! And if only we had a genuine
contempt for it,’ pursued Potugin, ‘but that’s really all cant and
humbug. We can do well enough as far as abuse goes, but the opinion of
the West is the only thing we value, the opinion, that’s to say, of the
Parisian loafers.... I know a man--a good fellow, I fancy--the father of
a family, and no longer young; he was thrown into deep dejection for
some days because in a Parisian restaurant he had asked for _une portion
de biftek aux pommes de terre_, and a real Frenchman thereupon shouted:
_Garçon! biftek pommes!_ My friend was ready to die with shame, and
after that he shouted everywhere, _Biftek pommes!_ and taught others to
do the same. The very _cocottes_ are surprised at the reverential
trepidation with which our young barbarians enter their shameful
drawing-rooms. “Good God!” they are thinking, “is this really where I
am, with no less a person than Anna Deslions herself!”’
‘Tell me, pray,’ continued Litvinov, ‘to what do you ascribe the
influence Gubaryov undoubtedly has over all about him? Is it his talent,
his abilities?’
‘No, no; there is nothing of that sort about him....’
‘His personal character is it, then?’
Public-domain text, read in full here on John Shaqi.
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