‘O good Lord!’ cried Potugin with a comic face, ‘what are young men
coming to nowadays! A most charming lady invites them to see her, sends
messengers after them on purpose, and they raise difficulties. You ought
to be ashamed, my dear sir, you ought to be ashamed. Here’s your hat.
Take it and “Vorwärts,” as our ardent friends the Germans say.’
Litvinov still stood irresolute for a moment, but he ended by taking his
hat and going out of the room with Potugin.
XII
They went to one of the best hotels in Baden and asked for Madame
Ratmirov. The porter first inquired their names, and then answered at
once that ‘_die Frau Fürstin ist zu Hause_,’ and went himself to conduct
them up the staircase and knock at the door of the apartment and
announce them. ‘_Die Frau Fürstin_’ received them promptly: she was
alone, her husband had gone off to Carlsruhe for an interview with a
great official, an influential personage who was passing through that
town.
Irina was sitting at a small table, embroidering on canvas when Potugin
and Litvinov crossed the threshold. She quickly flung her embroidery
aside, pushed away the little table and got up; an expression of genuine
pleasure overspread her face. She wore a morning dress, high at the
neck; the superb lines of her shoulders and arms could be seen through
the thin stuff; her carelessly-coiled hair had come loose and fell low
on her slender neck. Irina flung a swift glance at Potugin, murmured
‘_merci_,’ and holding out her hand to Litvinov reproached him amicably
for forgetfulness.
‘And you such an old friend!’ she added.
Litvinov was beginning to apologise. ‘_C’est bien, c’est bien_,’ she
assented hurriedly and, taking his hat from him, with friendly
insistence made him sit down. Potugin, too, was sitting down, but got up
again directly, and saying that he had an engagement he could not put
off, and that he would come in again after dinner, he proceeded to take
leave. Irina again flung him a rapid glance, and gave him a friendly
nod, but she did not try to keep him, and directly he had vanished
behind the portière, she turned with eager impatience to Litvinov.
‘Grigory Mihalitch,’ she began, speaking Russian in her soft musical
voice, ‘here we are alone at last, and I can tell you how glad I am at
our meeting, because it ... it gives me a chance...’ (Irina looked him
straight in the face) ‘of asking your forgiveness.’
Litvinov gave an involuntary start. He had not expected so swift an
attack. He had not expected she would herself turn the conversation upon
old times.
‘Forgiveness ... for what?’ ... he muttered.
Irina flushed.
Public-domain text, read in full here on John Shaqi.
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