Level-eyed now, Molly searched the faces of the two men before her.
Johnny Dice had spoken no word of love to her. Yes, but love was not
a thing of words. It was something that came to life of its own
volition, and grew and grew until it caught the hearts of men and
women in a vise. Only when it had made its presence known would
retrospection reveal the hundred little ways in which it had sought
to announce itself from the very beginning.
Molly was permitted such a moment. What she beheld left her body
trembling. Was this love? Did she love Johnny Dice? The thought had
never occurred to her before. Was this feeling of comradeship, this
boy and girl friendship, love? At least the thought was not
unpleasant to her. Poor he might be, but Johnny was too much a man
to be unworthy of love. The more she thought of it the greater
became the tug on her heart. Anger, resentment, all her other
emotions were blotted out. Even her insistence on fair play between
the two men became less vital to the girl.
Whether she knew it or not, Molly was taking sides. And, as women
have done down through the ages, she turned from her own to champion
the man who desired her. She was no longer the judge, but the
counsel for the defense.
“Were you better off at his age, father?” she asked.
Kent must have sensed the widening between them, for he answered
almost surlily: “Times have changed. What was good enough for me
ain’t good enough for you. Did he show you the picture of you he’s
got in his pocket? Your picture—carryin’ it around!”
“Why, no, father. I can’t believe it. I haven’t had a picture taken
in years.”
“Well, it was years since this one was took. You know the one you’ve
got framed and hanging beside your door? He’s got a copy of it. I
asked him for it. I don’t want my little girl’s picture goin’ the
rounds of the cow camps. He wouldn’t give it up. Said he’d ask you
if he could keep it. He didn’t, did he? Made some wild talk about
its belonging to a dead man.”
“Dead man!” The words chilled the girl.
She turned questioningly to Johnny. With rising suspicion she saw
the boy nod his head in answer to the interrogation in her eyes.
“Let me see it!” she demanded, stretching out her hands toward
Johnny, who was drawing the picture from his pocket.
One glance at it was enough for the girl.
“Father!” she exclaimed. “It _is_ my picture.”
“Of course,” the old man snapped. “Ask him how he came by it.”
“Johnny, tell me,” Molly cried, “what does it all mean? What is this
talk of ‘dead man’? From whom did you get this picture?”
And now Johnny faced Kent.
“From Crosbie Traynor,” said the boy.
“From Crosbie Traynor,” Molly repeated slowly.
The old man’s smile failed him this time. He choked over his words
as he fought to repress his excitement. “Traynor! Traynor!” he cried
at last. “What’s all this talk of him?”
Molly was sobbing.
Public-domain text, read in full here on John Shaqi.
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