“She writes me she has drawn a ten-day draft for twenty-two hundred
dollars,” he said to himself. “How on earth can I meet it? What shall
I do about it? Let me think it out.” And checking his steps, which
had begun to tend towards the college, where a reception to which he
had been invited was being held, he took a turn or two in the already
darkening street, and then started back to his rooms. In his mind,
step by step, he traced out the possible consequences of action in the
matter, but long consideration only confirmed his first impression that
it was too late now to change the course of affairs so long existing.
“But how am I to meet this last demand?” he questioned. “There is but
one way open to me,” he finally thought. “The old home must go.”
He nervously walked on, repeating to himself, “Mother! mother! I could
never do this for anyone but you.”
With the memory of his beloved father so strong within him, it was
difficult to bring himself to face the inevitable with composure. The
turbulent working of his heart contended against the resignation of
his brain, and, when for a moment he felt resigned, then the memory of
his dead father’s wish would rise up and protest, and the battle would
have to be fought over again.
But what he considered to be duty to the living triumphed over
what he held as loyalty to the dead, so the next time he went to
the old homestead, “For Sale” glared coldly and, he even imagined,
reproachfully at him. It was then that Elliott realized the immensity
of his sacrifice and bowed his head in silent sorrow.
CHAPTER IV.
After that one time, Elliott Harding determined to face the inevitable
and passed into the house without seeming to see the placard.
One day while sitting in his accustomed writing place, which was the
parlor, now furnished with a table and office chair, a man walked up
the front steps. Elliott had just finished writing the words “The
glimpses of light I have gained make the darkness more apparent,” when
the man entered the doorway.
The stranger was a tall, lean individual with iron gray beard curving
out from under the chin. Eyes dark, keen and deep set; cheekbones
as high as an Indian’s; hair iron gray and thick around the base of
the skull, but thin and tangled over the top of the head, formed a
combination striking and not unattractive. Though apparently far past
his prime, he appeared to be as hearty and hale as if half the years of
his life were yet to come. After gazing a moment at Elliott, he opened
the conversation by saying:
“Good morning! I suppose you are the agent for this property?”
“I am, sir,” answered Elliott, courteously. “Come in and have a seat,”
offering him his chair as he stood up and leaned against the writing
table.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account