Actresses -- Fiction; Fugitives from justice -- Fiction
“When you are wholly mine--” he began. “Well, wait till we get to the
top of the mountain; there I’ll tell you all my plans. They’re as big
and beautiful as the world. I feel, with your love, that I can move
mountains. I can fashion the world close to my heart’s desire. We’ll
leave this blank spot and go to some lovely, warm, smiling land where
the water is turquoise and the sky aquamarine--”
“And perhaps my sight will come back.” It was almost a prayer.
He did not answer. They had come to a sharp sudden ascent. He took her
in his arms, scrambled across the tumbled rocks, and set her down beside
him on the great granite crest that rose like the edge of a gray wave.
The clean, wild wind smote her and shook her and pressed back her hair
and dress. She clung to him.
“Is it steep? Are we on the edge of a cliff, Hugh? I’m not afraid!”
“We’re on the very top of the world,” he told her breathlessly, his
voice filled with a sense of awe, “our world, Sylvie, I’m master here.
There’s no greater mind than my own in all that dark green circle. It’s
pines, pines, pines to the edge of the earth, Sylvie, an ocean of purple
and green--silver where the wind moves, treading down, like Christ
walking on the water. And the sky is all gray, like stone.”
“Can you see the flat, the cabin?”
“The flat, yes--a round green spot, way down there behind us. The cabin?
No. That’s in a hollow, you may be sure, well out of sight. I’m an
outlaw, dearest, remember. There’s a curve of the river, like a silver
elbow. And Sylvie, up above us, an eagle is turning and turning in a
huge circle. He thinks he’s king. But, Sylvie, it’s our world--yours and
mine. This is our marriage.”
She drew back. “What do you mean?”
“Haven’t you a feeling for such images? We’ll go before a parson--don’t
be afraid. Would I frighten you, Sylvie? I love you too much for that.
Why, Sylvie, what’s wrong?”
When his lips, clinging and compelling, had left hers, she bent her face
to his arm and began to cry.
“Oh, I don’t know. I don’t know.... But please don’t kiss me like that,
not like that!”
He released her and half turned, but her hands instantly hunted for him,
found him and clung.
“Hugh, don’t be angry. Be patient with me. Try to understand. Perhaps
it’s because I am in the dark. I do love you. I do. But you must wait.
Soon it will be spring for me, too. You don’t understand? You’re angry?
But I can’t explain it any better.”
“You can lay your hand on me,” he said hoarsely. “God knows I’m real
enough.” And he thought so! “My love for you is here like a granite
block, Sylvie.”
“I know. It is the one thing in the darkness that is real. I know
you--your love, splendid and strong and brave. Wait just a little, Hugh.
Try to be patient. Suddenly it will all come right. The fog will lift.
Then we’ll really be on top of the mountain.” She laughed, but rather
sadly.
Public-domain text, read in full here on John Shaqi.
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