Actresses -- Fiction; Fugitives from justice -- Fiction
“Now it is--deep and dangerous. But it goes down very quickly when the
snow at its source has melted. In summer it is a friendly little brook,
and in the fall a mere trickle that hardly wets your shoe. I have a boat
here tied to the root of one of these trees, a boat I made myself, to
pole across when the stream is too deep for wading. I’ll take you out in
it when the flood’s down; it wouldn’t last fifteen minutes now. In
the spring, Sylvie, a nymph comes down from the mountain, a wild white
nymph. She has ice-green hair and frost-white arms; you can see her
lashing the water, and if you listen, you can hear her sing and cry.
Let’s go in, dear; you’re tired and cold--I can feel you shivering.
We’ll start a big fire, and I’ll tell you how that nymph caught me
once and nearly strangled me with her cold, wet arms. I was trying to
save--you’ll laugh when I tell you about it--a baby bear.”
Pete and Bella made room for them silently about the hearth where Pete
had already built up a fire. Sylvie groped her way to the throne from
which the other woman slipped half furtively and so noiselessly that
Sylvie never guessed her usurpation.
“Hugh is going to tell us a story,” she said, and rested her head back
so that her small chin pointed out and her slim neck was drawn up--“a
wonderful story about the river and a bear. I hope it’s a baby bear,
Hugh, for you know how I feel about bears. I honestly think that being
so afraid of seeing them is what made me blind!” She gave her small, shy
laugh. “I thought I saw them everywhere I looked that day and night. It
seems so long ago now, and yet it is not so many weeks. I can still hear
Hugh’s voice calling out to me across the snow. And now,” she said, “the
snow’s all gone and none of you are strangers any more, and--Go on with
your story, Hugh.”
Pete added a log to the fire so that the flames stretched up bravely
and made a great fan of light against which they all seemed painted
like ornamental figures, Hugh lounging along the rug to make a striking
central figure. Bella was drawn up rigidly on a stiff, hard chair; she
hemmed a long, coarse towel with her blunt, work-roughened fingers.
Public-domain text, read in full here on John Shaqi.
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