Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
By the time Dirk returned from school the rough work of the day was
over. His food was always hot, appetizing, plentiful. The house was
neat, comfortable. Selina had installed a bathroom—one of the two
bathrooms in High Prairie. The neighbourhood was still rocking with the
shock of this when it was informed by Jan that Selina and Dirk ate with
candles lighted on the supper table. High Prairie slapped its thigh and
howled with mirth.
“Cabbages is beautiful,” said old Klaas Pool when he heard this.
“Cabbages is beautiful I betcha.”
Selina, during the years of the boy’s adolescence, had never urged him
to a decision about his future. That, she decided, would come. As the
farm prospered and the pressure of necessity lifted she tried, in
various ingenious ways, to extract from him some unconscious sign of
definite preference for this calling, that profession. As in her leanest
days she had bought an occasional book at the cost of much-needed shoes
for herself so now she bought many of them with money that another woman
would have used for luxury or adornments. Years of personal privation
had not killed her love of fine soft silken things, mellow colouring,
exquisite workmanship. But they had made it impossible for her to covet
these things for herself. She loved to see them, to feel them. Could not
wear them. Years later, when she could well afford a French hat in one
of the Michigan Avenue millinery shops, she would look at the silk and
satin trifles blooming in the windows like gay brilliant flowers in a
conservatory—and would buy an untrimmed “shape” for $2.95 in Field’s
basement. The habit of a lifetime is strong. Just once she made herself
buy one of these costly silk-and-feather extravagances, going about the
purchase deliberately and coldly as a man gets drunk once for the
experience. The hat had cost twenty-two dollars. She never had worn it.
Public-domain text, read in full here on John Shaqi.
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