Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
Until Dirk was sixteen she had been content to let him develop as
naturally as possible, and to absorb impressions unconsciously from the
traps she so guilefully left about him. Books on the lives of great
men—lives of Lincoln, of Washington, Gladstone, Disraeli, Voltaire.
History. Books on painting, charmingly illustrated. Books on
architecture; law; medicine, even. She subscribed to two of the best
engineering magazines. There was a shed which he was free to use as a
workshop, fitted up with all sorts of tools. He did not use it much,
after the first few weeks. He was pleasantly and mildly interested in
all these things; held by none of them. Selina had thought of Roelf when
they were fitting up the workshop. The Pools had heard from Roelf just
once since his flight from the farm. A letter had come from France. In
it was a sum of money for Geertje and Jozina—a small sum to take the
trouble to send all the way from an outlandish country, the well-to-do
Pool household thought. Geertje was married now to Vander Sijde’s son
Gerrit and living on a farm out Low Prairie way. Jozina had a crazy idea
that she wanted to go into the city as a nurse. Roelf’s small gift of
money made little difference in their day. They never knew the struggle
that the impecunious young Paris art student had had to save it sou by
sou. Selina had never heard from him. But one day years later she had
come running to Dirk with an illustrated magazine in her hand.
“Look!” she had cried, and pointed to a picture. He had rarely seen her
so excited, so stirred. The illustration showed a photographic
reproduction of a piece of sculpture—a woman’s figure. It was called
The Seine. A figure sinuous, snake-like, graceful, revolting, beautiful,
terrible. The face alluring, insatiable, generous, treacherous, all at
once. It was the Seine that fed the fertile valley land; the Seine that
claimed a thousand bloated lifeless floating Things; the red-eyed hag of
1793; the dimpling coquette of 1650. Beneath the illustration a line or
two—Roelf Pool . . . Salon . . . American . . . future . . .
“It’s Roelf!” Selina had cried. “Roelf. Little Roelf Pool!” Tears in her
eyes. Dirk had been politely interested. But then he had never known
him, really. He had heard his mother speak of him, but——
Selina showed the picture to the Pools, driving over there one evening
to surprise them with it. Mrs. Klaas Pool had been horrified at the
picture of a nude woman’s figure; had cried “Og heden!” in disgust, and
had seemed to think that Selina had brought it over in a spirit of
spite. Was she going to show it to the rest of High Prairie!
Selina understood High Prairie folk better now, though not altogether,
even after almost twenty years of living amongst them. A cold people,
yet kindly. Suspicious, yet generous. Distrustful of all change, yet
progressing by sheer force of thrift and unceasing labour. Unimaginative
for generations, only to produce—a Roelf Pool.
Public-domain text, read in full here on John Shaqi.
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