Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
Selina laughed, too, even while she protested his laughter. “But they
are!” she insisted. “They _are_ beautiful. Like jade and Burgundy. No,
like—uh—like—what’s that in—like chrysoprase and porphyry. All those
fields of cabbages and the corn and the beet-tops together look like
Persian patches.”
Which was, certainly, no way for a new school teacher to talk to a
Holland truck gardener driving his team along the dirt road on his way
to High Prairie. But then, Selina, remember, had read Byron at
seventeen.
Klaas Pool knew nothing of chrysoprase and porphyry. Nor of Byron. Nor,
for that matter, of jade and Burgundy. But he did know cabbages, both
green and red. He knew cabbage from seed to sauerkraut; he knew and grew
varieties from the sturdy Flat Dutch to the early Wakefield. But that
they were beautiful; that they looked like jewels; that they lay like
Persian patches, had never entered his head, and rightly. What has the
head of a cabbage, or, for that matter, of a robust, soil-stained,
toiling Dutch truck farmer to do with nonsense like chrysoprase, with
jade, with Burgundy, with Persian patterns!
The horses clopped down the heavy country road. Now and again the bulk
beside Selina was agitated silently, as before. And from between the
golden fuzz of stubble beard she would hear, “Cabbages! Cabbages is
——” But she did not feel offended. She could not have been offended at
anything to-day. For in spite of her recent tragedy, her nineteen years,
her loneliness, the terrifying thought of this new home to which she was
going, among strangers, she was conscious of a warm little thrill of
elation, of excitement—of adventure! That was it. “The whole thing’s
just a grand adventure,” Simeon Peake had said. Selina gave a little
bounce of anticipation. She was doing a revolutionary and daring thing;
a thing that the Vermont and now, fortunately, inaccessible Peakes would
have regarded with horror. For equipment she had youth, curiosity, a
steel-strong frame; one brown lady’s-cloth, one wine-red cashmere; four
hundred and ninety-seven dollars; and a gay, adventuresome spirit that
was never to die, though it led her into curious places and she often
found, at the end, only a trackless waste from which she had to retrace
her steps, painfully. But always, to her, red and green cabbages were to
be jade and Burgundy, chrysoprase and porphyry. Life has no weapons
against a woman like that.
So now, as they bumped and jolted along the road Selina thought herself
lucky, though she was a little terrified. She turned her gaze from the
flat prairie land to the silent figure beside her. Hers was a lively,
volatile nature, and his uncommunicativeness made her vaguely
uncomfortable. Yet there was nothing glum about his face. Upon it there
even lingered, in the corners of his eyes and about his mouth, faint
shadows of merriment.
Public-domain text, read in full here on John Shaqi.
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