Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
“Dirk, do you know sometimes I actually think that if you had stayed
here on the farm——”
“Good God, Mother! What for!”
“Oh, I don’t know. Time to dream. Time to—no, I suppose that isn’t true
any more. I suppose the day is past when the genius came from the farm.
Machinery has cut into his dreams. He used to sit for hours on the wagon
seat, the reins slack in his hands, while the horses plodded into town.
Now he whizzes by in a jitney. Patent binders, ploughs, reapers—he’s a
mechanic. He hasn’t time to dream. I guess if Lincoln had lived to-day
he’d have split his rails to the tune of a humming, snarling patent wood
cutter, and in the evening he’d have whirled into town to get his books
at the public library, and he’d have read them under the glare of the
electric light bulb instead of lying flat in front of the flickering
wood fire. . . . Well. . . .”
She lay back, looked up at him. “Dirk, why don’t you marry?”
“Why—there’s no one I want to marry.”
“No one who’s free, you mean?”
He stood up. “I mean no one.” He stooped and kissed her lightly. Her
arms went round him close. Her hand with the thick gold wedding band on
it pressed his head to her hard. “Sobig!” He was a baby again.
“You haven’t called me that in years.” He was laughing.
She reverted to the old game they had played when he was a child. “How
big is my son! How big?” She was smiling, but her eyes were sombre.
“So big!” answered Dirk, and measured a very tiny space between thumb
and forefinger. “So big.”
She faced him, sitting up very straight in bed, the little wool shawl
hunched about her shoulders. “Dirk, are you ever going back to
architecture? The war is history. It’s now or never with you. Pretty
soon it will be too late. Are you ever going back to architecture? To
your profession?”
A clean amputation. “No, Mother.”
She gave an actual gasp, as though icy water had been thrown full in her
face. She looked suddenly old, tired. Her shoulders sagged. He stood in
the doorway, braced for her reproaches. But when she spoke it was to
reproach herself. “Then I’m a failure.”
“Oh, what nonsense, Mother. I’m happy. You can’t live somebody else’s
life. You used to tell me, when I was a kid I remember, that life wasn’t
just an adventure, to be taken as it came, with the hope that something
glorious was always hidden just around the corner. You said you had
lived that way and it hadn’t worked. You said——”
She interrupted him with a little cry. “I know I did. I know I did.”
Suddenly she raised a warning finger. Her eyes were luminous, prophetic.
“Dirk, you can’t desert her like that!”
“Desert who?” He was startled.
“Beauty! Self-expression. Whatever you want to call it. You wait! She’ll
turn on you some day. Some day you’ll want her, and she won’t be there.”
Public-domain text, read in full here on John Shaqi.
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