Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
Inwardly he had been resentful of this bedside conversation with his
mother. She made little of him, he thought, while outsiders appreciated
his success. He had said, “So big,” measuring a tiny space between thumb
and forefinger in answer to her half-playful question, but he had not
honestly meant it. He thought her ridiculously old-fashioned now in her
viewpoint, and certainly unreasonable. But he would not quarrel with
her.
“You wait, too, Mother,” he said now, smiling. “Some day your wayward
son will be a real success. Wait till the millions roll in. Then we’ll
see.”
She lay down, turned her back deliberately upon him, pulled the covers
up about her.
“Shall I turn out your light, Mother, and open the windows?”
“Meena’ll do it. She always does. Just call her. . . . Good-night.”
He knew that he had come to be a rather big man in his world. Influence
had helped. He knew that, too. But he shut his mind to much of Paula’s
manœuvring and wire pulling—refused to acknowledge that her lean, dark,
eager fingers had manipulated the mechanism that ordered his career.
Paula herself was wise enough to know that to hold him she must not let
him feel indebted to her. She knew that the debtor hates his creditor.
She lay awake at night planning for him, scheming for his advancement,
then suggested these schemes to him so deftly as to make him think he
himself had devised them. She had even realized of late that their
growing intimacy might handicap him if openly commented on. But now she
must see him daily, or speak to him. In the huge house on Lake Shore
Drive her own rooms—sitting room, bedroom, dressing room, bath—were as
detached as though she occupied a separate apartment. Her telephone was
a private wire leading only to her own bedroom. She called him the first
thing in the morning; the last thing at night. Her voice, when she spoke
to him, was an organ transformed; low, vibrant, with a timbre in its
tone that would have made it unrecognizable to an outsider. Her words
were commonplace enough, but pregnant and meaningful for her.
“What did you do to-day? Did you have a good day? . . . Why didn’t you
call me? . . . Did you follow up that suggestion you made about Kennedy?
I think it’s a wonderful idea, don’t you? You’re a wonderful man, Dirk;
did you know that? . . . I miss you. . . . Do you? . . . When? . . . Why
not lunch? . . . Oh, not if you have a business appointment . . . How
about five o’clock? . . . No, not there . . . Oh, I don’t know. It’s so
public . . . Yes . . . Good-bye. . . . Good-night. . . .
Good-night. . . .”
Public-domain text, read in full here on John Shaqi.
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