Dirk sent for Dallas O’Mara. She replied, suggesting an appointment two weeks from that date. Dirk decided not to wait, consulted other commercial artists, looked at their work, heard their plans outlined, and was satisfied with none of them. The time was short. Ten days had passed. He had his secretary call Dallas O’Mara on the telephone. Could she come down to see him that day at eleven? No: she worked until four daily at her studio. Could she come to his office at four-thirty, then? Yes, but wouldn’t it be better if he could come to her studio where he could see something of the various types of drawings—oils, or black-and-white, or crayons. She was working mostly in crayons now. All this relayed by his secretary at the telephone to Dirk at his desk. He jammed his cigarette-end viciously into a tray, blew a final infuriated wraith of smoke, and picked up the telephone connection on his own desk. “One of those damned temperamental near-artists trying to be grand,” he muttered, his hand over the mouthpiece. “Here, Miss Rawlings—I’ll talk to her. Switch her over.” “Hello, Miss—uh—O’Mara. This is Mr. DeJong talking. I much prefer that you come to my office and talk to me.” (No more of this nonsense.) Her voice: “Certainly, if you prefer it. I thought the other would save us both some time. I’ll be there at four-thirty.” Her voice was leisurely, low, rounded. An admirable voice. Restful. “Very well. Four-thirty,” said Dirk, crisply. Jerked the receiver onto the hook. That was the way to handle ’em. These females of forty with straggling hair and a bundle of drawings under their arm. The female of forty with straggling hair and a bundle of drawings under her arm was announced at four-thirty to the dot. Dirk let her wait five minutes in the outer office, being still a little annoyed. At four-thirty-five there entered his private office a tall slim girl in a smart little broadtail jacket, fur-trimmed skirt, and a black hat at once so daring and so simple that even a man must recognize its French nativity. She carried no portfolio of drawings under her arms. Through the man’s mind flashed a series of unbusinesslike thoughts such as: “Gosh! . . . Eyes! . . . That’s way I like to see girl dress . . . Tired looking . . . No, guess it’s her eyes—sort of fatigued. . . . Pretty . . . No, she isn’t . . . yes, she . . .” Aloud he said, “This is very kind of you, Miss O’Mara.” Then he thought that sounded pompous and said, curtly, “Sit down.” Miss O’Mara sat down. Miss O’Mara looked at him with her tired deep blue eyes. Miss O’Mara said nothing. She regarded him pleasantly, quietly, composedly. He waited for her to say that usually she did not come to business offices; that she had only twenty minutes to give him; that the day was warm, or cold; his office handsome; the view over the river magnificent. Miss O’Mara said nothing, pleasantly. So Dirk began to talk, rather hurriedly.