Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
“And guess,” trilled Paula, “guess who’s coming with him, Dirk! That
wonderful Roelf Pool, the French sculptor! Goguet’s going to be my
guest. Pool’s going to do a bust, you know, of young Quentin Roosevelt
from a photograph that Mrs. Theodore Roosevelt——”
“What d’you mean—French sculptor! He’s no more French than I am. He was
born within a couple of miles of my mother’s farm. His people were Dutch
truck farmers. His father lived in High Prairie until a year ago, when
he died of a stroke.”
When he told Selina she flushed like a girl, as she sometimes still did
when she was much excited. “Yes, I saw it in the paper. I wonder,” she
added, quietly, “if I shall see him.”
That evening you might have seen her sitting, crosslegged, before the
old carved chest, fingering the faded shabby time-worn objects the
saving of which Dirk had denounced as sentimental. The crude drawing of
the Haymarket; the wine-red cashmere dress; some faded brittle flowers.
Paula was giving a large—but not too large—dinner on the second night.
She was very animated about it, excited, gay. “They say,” she told Dirk,
“that Goguet doesn’t eat anything but hard-boiled eggs and rusks. Oh,
well, the others won’t object to squabs and mushrooms and things. And
his hobby is his farm in Brittany. Pool’s stunning—dark and sombre and
very white teeth.”
Paula was very gay these days. Too gay. It seemed to Dirk that her
nervous energy was inexhaustible—and exhausting. Dirk refused to admit
to himself how irked he was by the sallow heart-shaped exquisite face,
the lean brown clutching fingers, the air of ownership. He had begun to
dislike things about her as an unfaithful spouse is irritated by quite
innocent mannerisms of his unconscious mate. She scuffed her heels a
little when she walked, for example. It maddened him. She had a way of
biting the rough skin around her carefully tended nails when she was
nervous. “Don’t _do_ that!” he said.
Dallas never irritated him. She rested him, he told himself. He would
arm himself against her, but one minute after meeting her he would sink
gratefully and resistlessly into her quiet depths. Sometimes he thought
all this was an assumed manner in her.
“This calm of your—this effortlessness,” he said to her one day, “is a
pose, isn’t it?” Anything to get her notice.
“Partly,” Dallas had replied, amiably. “It’s a nice pose though, don’t
you think?”
What are you going to do with a girl like that!
Here was the woman who could hold him entirely, and who never held out a
finger to hold him. He tore at the smooth wall of her indifference,
though he only cut and bruised his own hands in doing it.
“Is it because I’m a successful business man that you don’t like me?”
“But I do like you.”
“That you don’t find me attractive, then.”
“But I think you’re an awfully attractive man. Dangerous, that’s wot.”
Public-domain text, read in full here on John Shaqi.
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