Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
“Oh, don’t be the wide-eyed ingénue. You know damned well what I mean.
You’ve got me and you don’t want me. If I had been a successful
architect instead of a successful business man would that have made any
difference?” He was thinking of what his mother had said just a few
years back, that night when they had talked at her bedside. “Is that it?
He’s got to be an artist, I suppose, to interest you.”
“Good Lord, no! Some day I’ll probably marry a horny-handed son of toil,
and if I do it’ll be the horny hands that will win me. If you want to
know, I like ’em with their scars on them. There’s something about a man
who has fought for it—I don’t know what it is—a look in his eye—the
feel of his hand. He needn’t have been successful—though he probably
would be. I don’t know. I’m not very good at this analysis stuff. I only
know he—well, you haven’t a mark on you. Not a mark. You quit being an
architect, or whatever it was, because architecture was an uphill
disheartening job at the time. I don’t say that you should have kept on.
For all I know you were a bum architect. But if you had kept on—if you
had loved it enough to keep on—fighting, and struggling, and sticking
it out—why, that fight would show in your face to-day—in your eyes and
your jaw and your hands and in your way of standing and walking and
sitting and talking. Listen. I’m not criticizing you. But you’re all
smooth. I like ’em bumpy. That sounds terrible. It isn’t what I mean at
all. It isn’t——”
“Oh, never mind,” Dirk said, wearily. “I think I know what you mean.” He
sat looking down at his hands—his fine strong unscarred hands. Suddenly
and unreasonably he thought of another pair of hands—his mother’s—with
the knuckles enlarged, the skin broken—expressive—her life written on
them. Scars. She had them. “Listen, Dallas. If I thought—I’d go back to
Hollis & Sprague’s and begin all over again at forty a week if I thought
you’d——”
“Don’t.”
XX
General Goguet and Roelf Pool had been in Chicago one night and part of
a day. Dirk had not met them—was to meet them at Paula’s dinner that
evening. He was curious about Pool but not particularly interested in
the warrior. Restless, unhappy, wanting to see Dallas (he admitted it,
bitterly) he dropped into her studio at an unaccustomed hour almost
immediately after lunch and heard gay voices and laughter. Why couldn’t
she work alone once in a while without that rabble around her!
Dallas in a grimy smock and the scuffed kid slippers was entertaining
two truants from Chicago society—General Emile Goguet and Roelf Pool.
They seemed to be enjoying themselves immensely. She introduced Dirk as
casually as though their presence were a natural and expected
thing—which it was. She had never mentioned them to him. Yet now: “This
is Dirk DeJong—General Emile Goguet. We were campaigners together in
France. Roelf Pool. So were we, weren’t we, Roelf?”
Public-domain text, read in full here on John Shaqi.
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