Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
It was characteristic of her that in this grizzled hired man, twisted
with rheumatism, reeking of mould and manure, she should see a direct
descendant of those gnarled and bearded bowlers so mysteriously
encountered by Rip Van Winkle on that fatal day in the Kaatskills. The
name, too, appealed to her in its comic ugliness. So she laughed a soft
little laugh; held out her hand. The man was not offended. He knew that
people laughed when they were introduced. So he laughed, too, in a
mixture of embarrassment and attempted ease, looking down at the small
hand extended to him. He blinked at it curiously. He wiped his two hands
down his thighs, hard; then shook his great grizzled head. “My hand is
all muck. I ain’t washed up yet,” and lurched off, leaving Selina
looking rather helplessly down at her own extended hand. His clatter on
the wooden stairway sounded like cavalry on a frozen road.
Left alone in her room Selina unlocked her trunk and took from it two
photographs—one of a mild-looking man with his hat a little on one
side, the other of a woman who might have been a twenty-five-year-old
Selina, minus the courageous jaw-line. Looking about for a fitting place
on which to stand these leather-framed treasures she considered the top
of the chill drum, humorously, then actually placed them there, for lack
of better refuge, from which vantage point they regarded her with
politely interested eyes. Perhaps Jakob Hoogendunk would put up a shelf
for her. That would serve for her little stock of books and for the
pictures as well. She was enjoying that little flush of exhilaration
that comes to a woman, unpacking. There was about her trunk, even though
closed but this very day, the element of surprise that gilds familiar
objects when disclosed for the first time in unfamiliar surroundings.
She took out her neat pile of warm woollen underwear, her stout shoes.
She shook out the crushed folds of the wine-coloured cashmere. Now, if
ever, she should have regretted its purchase. But she didn’t. No one,
she reflected, as she spread it rosily on the bed, possessing a
wine-coloured cashmere could be altogether downcast.
The wine cashmere on the bed, the photographs on the drum, her clothes
hanging comfortably on wall-hooks with a calico curtain on a cord
protecting them, her stock of books on the closed trunk. Already the
room wore the aspect of familiarity.
Public-domain text, read in full here on John Shaqi.
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