Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
Crash! “The Widow Paarlenberg’s basket, ladies—_and_ gents! The Widow
Paarlenberg! I don’t know what’s in it. You don’t know what’s in it. We
don’t have to know what’s in it. Who has eaten Widow Paarlenberg’s
chicken once don’t have to know. Who has eaten Widow Paarlenberg’s cake
once don’t have to know. What am I bid on Widow Paarlenberg’s basket!
What am I bid! WhatmIbidwhatmIbidwhatmIbid!” [Crash!]
The widow herself, very handsome in black silk, her gold neck chain
rising and falling richly with the little flurry that now agitated her
broad bosom, was seated in a chair against the wall not five feet from
the auctioneer’s stand. She bridled now, blushed, cast down her eyes,
cast up her eyes, succeeded in looking as unconscious as a complaisant
Turkish slave girl on the block.
Adam Ooms’s glance swept the hall. He leaned forward, his fox-like face
fixed in a smile. From the widow herself, seated so prominently at his
right, his gaze marked the young blades of the village; the old bucks;
youths and widowers and bachelors. Here was the prize of the evening.
Around, in a semi-circle, went his keen glance until it reached the tall
figure towering in the doorway—reached it, and rested there. His gimlet
eyes seemed to bore their way into Pervus DeJong’s steady stare. He
raised his right arm aloft, brandishing the potato masher. The whole
room fixed its gaze on the blond head in the doorway. “Speak up! Young
men of High Prairie! Heh, you, Pervus DeJong!
WhatmIbidwhatmIbidwhatmIbid!”
“Fifty cents!” The bid came from Gerrit Pon at the other end of the
hall. A dashing offer, as a start, in this district where one dollar
often represented the profits on a whole load of market truck brought to
the city.
Crash! went the potato masher. “Fifty cents I’m bid. Who’ll make it
seventy-five? Who’ll make it seventy-five?”
“Sixty!” Johannes Ambuul, a widower, his age more than the sum of his
bid.
“Seventy!” Gerrit Pon.
Adam Ooms whispered it—hissed it. “S-s-s-seventy. Ladies and gents, I
wouldn’t repeat out loud sucha figger. I would be ashamed. Look at this
basket, gents, and then you can say . . . s-s-seventy!”
“Seventy-five!” the cautious Ambuul.
Scarlet, flooding her face, belied the widow’s outward air of composure.
Pervus DeJong, standing beside Selina, viewed the proceedings with an
air of detachment. High Prairie was looking at him expectantly, openly.
The widow bit her red lip, tossed her head. Pervus DeJong returned the
auctioneer’s meaning smirk with the mild gaze of a disinterested
outsider. High Prairie, Low Prairie, and New Haarlem sat tense, like an
audience at a play. Here, indeed, was drama being enacted in a community
whose thrills were all too rare.
Public-domain text, read in full here on John Shaqi.
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