Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
Pervus’s market wagon was standing in the yard, shafts down. He should
have gone to market to-day; would certainly have to go to-morrow,
starting early in the afternoon so as to get a good stand in the
Haymarket. By the light of his lantern the wagon seemed to Selina to be
a symbol. She had often seen it before, but now that it was to be a part
of her life—this the DeJong market wagon and she Mrs. DeJong—she saw
clearly what a crazy, disreputable, and poverty-proclaiming old vehicle
it was, in contrast with the neat strong wagon in Klaas Pool’s yard,
smart with green paint and red lettering that announced, “Klaas Pool,
Garden Produce.” With the two sleek farm horses the turnout looked as
prosperous and comfortable as Klaas himself.
Pervus swung her down from the seat of the buggy, his hand about her
waist, and held her so for a moment, close. Selina said, “You must have
that wagon painted, Pervus. And the seat-springs fixed and the sideboard
mended.”
He stared. “Wagon!”
“Yes. It looks a sight.”
The house was tidy enough, but none too clean. Old Mrs. Voorhees had not
been minded to keep house too scrupulously for a man who would be
unlikely to know whether or not it was clean. Pervus lighted the lamps.
There was a fire in the kitchen stove. It made the house seem stuffy on
this mild May night. Selina thought that her own little bedroom at the
Pools’, no longer hers, must be deliciously cool and still with the
breeze fanning fresh from the west. Pervus was putting the horse into
the barn. The bedroom was off the sitting room. The window was shut.
This last year had taught Selina to prepare the night before for next
morning’s rising, so as to lose the least possible time. She did this
now, unconsciously. She took off her white muslin underwear with its
frills and embroidery—the three stiff petticoats, and the stiffly
starched corset-cover, and the high-bosomed corset and put them into the
bureau drawer that she herself had cleaned and papered neatly the week
before. She brushed her hair, laid out to-morrow’s garments, put on her
high-necked, long-sleeved nightgown and got into this strange bed. She
heard Pervus DeJong shut the kitchen door; the latch clicked, the lock
turned. Heavy quick footsteps across the bare kitchen floor. This man
was coming into her room . . . “You can’t run far enough,” Maartje Pool
had said. “Except you stop living you can’t run away from life.”
Next morning it was dark when he awakened her at four. She started up
with a little cry and sat up, straining her ears, her eyes. “Is that
you, Father?” She was little Selina Peake again, and Simeon Peake had
come in, gay, debonair, from a night’s gaming.
Pervus DeJong was already padding about the room in stocking feet.
“What—what time is it? What’s the matter, Father? Why are you up?
Haven’t you gone to bed . . .” Then she remembered.
Public-domain text, read in full here on John Shaqi.
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