Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
She kept, perforce, to the house that first year, and the second. Pervus
declared that his woman should never work in the fields as did many of
the High Prairie wives and daughters. Of ready cash there was almost
none. Pervus was hard put to it to pay Jan Steen his monthly wage during
May, June, July, and August, when he was employed on the DeJong place,
though Steen got but a pittance, being known as a poor hand, and “dumb.”
Selina learned much that first year, and the second, but she said
little. She kept the house in order—rough work, and endless—and she
managed, miraculously, to keep herself looking fresh and neat. She
understood now Maartje Pool’s drab garments, harassed face, heavily
swift feet, never at rest. The idea of flowers in bowls was abandoned by
July. Had it not been for Roelf’s faithful tending, the flower beds
themselves, planted with such hopes, would have perished for lack of
care.
Roelf came often to the house. He found there a tranquillity and peace
never known in the Pool place, with its hubbub and clatter. In order to
make her house attractive Selina had actually rifled her precious little
bank hoard—the four hundred and ninety-seven dollars left her by her
father. She still had one of the clear white diamonds. She kept it sewed
in the hem of an old flannel petticoat. Once she had shown it to Pervus.
“If I sell this maybe we could get enough money to drain and tile.”
Pervus took the stone, weighed it in his great palm, blinked as he
always did when discussing a subject of which he was ignorant. “How much
could you get for it? Fifty dollars, maybe. Five hundred is what I would
need.”
“I’ve got that. I’ve got it in the bank!”
“Well, maybe next spring. Right now I got my hands full, and more.”
To Selina that seemed a short-sighted argument. But she was too newly
married to stand her ground; too much in love; too ignorant still of
farm conditions.
Public-domain text, read in full here on John Shaqi.
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