Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
“You just don’t understand, Julie. Writers have to study life at first
hand. And if people know you’re studying them they don’t act natural.
Now, that day you were telling me about the young man in your father’s
shop who looked at you and said——”
“Selina Peake, if you dare to put that in your book I’ll never
speak——”
“All right. I won’t. But that’s what I mean. You see!”
Julie Hempel and Selina Peake, both finished products of Miss Fister’s
school, were of an age—nineteen. Selina, on this September day, had
been spending the afternoon with Julie, and now, adjusting her hat
preparatory to leaving, she clapped her hands over her ears to shut out
the sounds of Julie’s importunings that she stay to supper. Certainly
the prospect of the usual Monday evening meal in Mrs. Tebbitt’s boarding
house (the Peake luck was momentarily low) did not present sufficient
excuse for Selina’s refusal. Indeed, the Hempel supper as sketched dish
for dish by the urgent Julie brought little greedy groans from Selina.
“It’s prairie chickens—three of them—that a farmer west of town
brought Father. Mother fixes them with stuffing, and there’s currant
jell. Creamed onions and baked tomatoes. And for dessert, apple roll.”
Selina snapped the elastic holding her high-crowned hat under her
chignon of hair in the back. She uttered a final and quavering groan.
“On Monday nights we have cold mutton and cabbage at Mrs. Tebbitt’s.
This is Monday.”
“Well then, silly, why not stay!”
“Father comes home at six. If I’m not there he’s disappointed.”
Julie, plump, blonde, placid, forsook her soft white blandishments and
tried steel against the steel of Selina’s decision.
“He leaves you right after supper. And you’re alone every night until
twelve and after.”
“I don’t see what that has to do with it,” Selina said, stiffly.
Julie’s steel, being low-grade, melted at once and ran off her in
rivulets. “Of course it hasn’t, Selie dear. Only I thought you might
leave him just this once.”
“If I’m not there he’s disappointed. And that terrible Mrs. Tebbitt
makes eyes at him. He hates it there.”
“Then I don’t see why you stay. I never could see. You’ve been there
four months now, and I think it’s horrid and stuffy; and oilcloth on the
stairs.”
“Father has had some temporary business setbacks.”
Selina’s costume testified to that. True, it was modish, and bustled,
and basqued, and flounced; and her high-crowned, short-rimmed hat, with
its trimming of feathers and flowers and ribbons had come from New York.
But both were of last spring’s purchasing, and this was September.
In the course of the afternoon they had been looking over the pages of
Godey’s _Ladies’ Book_ for that month. The disparity between Selina’s
costume and the creations pictured there was much as the difference
between the Tebbitt meal and that outlined by Julie. Now Julie, fond
though defeated, kissed her friend good-bye.
Public-domain text, read in full here on John Shaqi.
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