------------------------------------------------------------------------
Transcriber’s Note:
This version of the text cannot represent certain typographical effects.
Italics are delimited with the ‘_’ character as _italic_. Boldface type
is delimited with the ‘=’ character as =Boldface=.
Footnotes have been moved to follow the paragraphs in which they are
referenced.
The many marginal notes usually appeared at the beginning of a
paragraph. These are given here on a separate line as
[Sidenote: A topic.]
Where the notes are in mid-paragraph, they are merely interpolated in
the text [Sidenote: Inline] at an appropriate point.
There are a number of diagrams that cannot be directly rendered in this
version. An attempt has been made for each to retain the information
conveyed. For instance, the chart of the various municipal offices
facing p. 205 has been rendered here as an indented list.
All illustrations, charts, tables and graphs are accompanied by a
separate explanatory page, either preceding or following. Neither are
included in the pagination. They have been moved to the nearest logical
paragraph break, and demarcated by horizontal rules, which do not appear
in the text. A chart, “The Commission Plan”, facing p. 195, is missing
from the list of Maps, Charts, and Diagrams.
Minor errors, attributable to the printer, have been corrected. Please
see the transcriber’s note at the end of this text for details regarding
the handling of any textual issues encountered during its preparation.
SOCIAL CIVICS
┌──────────────────────────────────────────────────────┐
│ Books by WILLIAM BENNETT MUNRO │
│ │
│ THE GOVERNMENT OF THE UNITED STATES │
│ THE GOVERNMENT OF AMERICAN CITIES │
│ THE GOVERNMENT OF EUROPEAN CITIES │
│ PRINCIPLES AND METHODS OF MUNICIPAL ADMINISTRATION │
└──────────────────────────────────────────────────────┘
------------------------------------------------------------------------
JUSTICE
By Edward Simmons
This frontispiece is a reproduction of a famous
mural decoration in the New York Criminal Court
House.
The background is the doorway of the criminal court
room. Justice stands before the entrance holding in
one hand the conventional scales as a token of
impartiality, and in the other hand a globe to
symbolize the world. Over her left shoulder is
draped the national flag. Condemnation and Acquittal
are typified by the two children, one of whom holds
a sword, the other the dove of peace.
Public-domain text, read in full here on John Shaqi.
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