Social England under the Regency, Vol. 2 (of 2)Ashton, John
History
Social England under the Regency, Vol. 2 (of 2)
Ashton, John
England -- Social life and customs -- 19th century; Regency -- England
People were very fond of music, and there were plenty of good
Concerts, and singers, with oratorios for the more seriously
disposed. Did you object to the heat of a Concert room, you could
have a very good vocal music, with an excellent band, _al fresco_,
at Vauxhall, with the very best of company to rub shoulders against.
Take, for instance, only one day--and from my notes I could give
many--July 12, 1819: "VAUXHALL. A more brilliant scene has scarcely
ever presented itself than that which these gardens exhibited on
Friday evening last. The walks were thronged with company of the
first description, among whom we noticed the Duke of Argyle, the
Duchess of Richmond, Bedford, and Rutland; the Marquess of Worcester,
the Marquess and Marchioness of Tavistock; their Excellencies the
French and Spanish Ambassadors, Viscount and Lady Castlereagh; Lords
George Cavendish, Petersham, Foley, Clare, Grantham, Harrington,
Forbes, Clifford, and Kier; Ladies Brownlow, Warburton, and Otway;
Sir Harry Hotham, Sir William Elliot, and Mr. Holme Sumner, M.P."
Of course there was the usual musical prodigy, no age could do
without that, and here it is, 10th of September, 1814: "_The Plymouth
Chronicle_ of Tuesday last (September 6th) contains the following
singular statement, respecting a boy, living in Plymouth, only
_eleven years and a half old_. Of Master _Whitcomb_, for such is the
name of this prodigy, it is asserted that 'unassisted in musical
composition, this child has produced to the musical world several
pieces in _score_, dedicated, by permission, to the inimitable
Catalani'; but what we chiefly allude to, is, a challenge he received
a few days since, viz., to compose a _full orchestra_, musical parts
to accord in harmony with a given bass!! Thus taken by surprise,
he accepted the challenge, and was locked up in a room, with only
pen, ink, and paper, the given bass was produced, and, without any
assistance, this child of nature produced, in about an hour, a
complete musical score, viz., two violin parts, two flute parts, two
horn parts, a tenor part, and oboe part!"
* * * * *
Public-domain text, read in full here on John Shaqi.
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