From Music to Art is but a short, and legitimate transition, and that period was no mean one in the history of Art, which could produce such a list of names as the following, which does not pretend to be exhaustive: Sir George Beaumont, Sir William Beechey, R.A., Henry Bone, R.A., the celebrated enameller, A. W. Callcott, R.A., A. W. Chalon, R.A., R. Cosway, R.A., I. Constable, P. de Wint, W. Etty, W. Finden, the engraver, Henry Fuseli, R.A., G. Hayter, W. Hilton, R.A., E. Landseer, Sir Thomas Lawrence, R.A., C. R. Leslie, J. Linnell, P. I. de Loutherbourg, R.A., W. Mulready, R.A., P. Nasmyth, J. Northcote, R.A., H. W. Pickersgill, W. H. Pyne, P. Reinagle, R.A., H. Raeburn, R.A., R. R. Ramsay, A.R.A., M. A. Shee, R.A., H. Sass, T. Stothard, R.A., J. M. W. Turner, R.A., W. Varley, C. H. Weigall, B. West, R.A., D. Wilkie, R.A. and W. Wyon the medallist. Then among Sculptors were some glorious names--W. Behnes, F. Chantrey, R.A., J. Flaxman, R.A., J. Nollekens, R.A., W. Theed, P. Turnerelli, and R. Westmacott, R.A. There were, besides the Exhibition of Pictures of the Royal Academy, which was held at Somerset House, or Somerset Place, as it was then called, two Water Colour Exhibitions--"The Society of Painters in Water Colours," and the "Associated Painters in Water Colours." And, occasionally, there were, as now, collections of the works of some one artist to be seen, as, for instance, in March, 1811, West's pictures were shown; in May, 1812, Wilkie's pictures were exhibited; and in May, 1813, a collection of Sir Joshua Reynolds' works was made, and there was a supplementary exhibition for the sale of pictures, called "the European Museum." There was a craze for large Panoramas, and they generally followed the progress of the war: thus in 1811 we find them of Malta, of Cadiz, the Siege of Flushing, and a Panorama of Messina. In 1812 we have one of Lisbon, and in 1815 we are treated to a view of Elba. Miss Linwood ought to rank as an artist, and her exhibition of Needlework was most popular, as may be judged by the fact that it was on show at Saville House, Leicester Square, from 1800 till 1844, when she died. It then filled up the place in public amusement now occupied by Madame Tussaud's Exhibition. (By the way, Mrs. Salmon was the wax-work woman of those days.) Miss Linwood's work, although done with coloured wools, was as like that awful Berlin wool-work of our day, as a picture by the President of the Royal Academy would resemble a coloured wall-poster. They were large and most faithful copies of some of the finest specimens of art, both British and foreign. The South Kensington Museum possesses some of them, notably a portrait of Napoleon. For one of her pictures, the _Salvator Mundi_, after _Carlo Dolci_, she refused three thousand guineas, and at her death left it as a legacy to the Queen; but, when her collection was sold, it fetched very little, somewhere about £1,000.