The Italian festa, ancient and modern; meaning of the word feriae; change in its meaning; holidays of plebs; festival of Anna Perenua; The Saturnalia; the ludi and their origin; ludi Romani and plebeii; other ludi; supported by State; by private individuals; admission free; Circus maximus and chariot-racing; gladiators at funeral games; stage-plays at ludi; political feeling expressed at the theatre; decadence of tragedy in Cicero's time; the first permanent theatre, 55 B.C.; opening of Pompey's theatre; Cicero's account of it; the great actors of Cicero's day: Aesopus; Roscius; the farces; Publilius Syrus and the mime. CHAPTER XI RELIGION Absence of real religious feeling; neglect of worship, except in the family; foreign cults, e.g. of Isis; religious attitude of Cicero and other public men: free thought, combined with maintenance of the ius divinum; Lucretius condemns all religion as degrading: his failure to produce a substitute for it; Stoic attitude towards religion: Stoicism finds room for the gods of the State; Varro's treatment of theology on Stoic lines; his monotheistic conception of Jupiter Capitolinus; the Stoic Jupiter a legal rather than a moral deity; Jupiter in the Aeneid; superstition of the age; belief in portents, visions, etc.; ideas of immortality; sense of sin, or despair of the future. EPILOGUE INDEX ILLUSTRATIONS PLAN OF HOUSE OF THE SILVER WEDDING AT POMPEII MAP TO ILLUSTRATE THE POSITION OF CICERO'S VILLAS PLAN OF THE VILLA OF DIOMEDES AT POMPEII PLAN OF A TRICLINIUM MAP ROME IN THE LAST YEARS OF THE REPUBLIC _At end of Volume_ Translations of passages in foreign languages in this book will be found in the Appendix following page 362. CHAPTER I TOPOGRAPHICAL The modern traveller of to-day arriving at Rome by rail drives to his hotel through the uninteresting streets of a modern town, and thence finds his way to the Forum and the Palatine, where his attention is speedily absorbed by excavations which he finds it difficult to understand. It is as likely as not that he may leave Rome without once finding an opportunity of surveying the whole site of the ancient city, or of asking, and possibly answering the question, how it ever came to be where it is. While occupied with museums and picture-galleries, he may well fail "totam aestimare Romam."[1] Assuming that the reader has never been in Rome, I wish to transport him thither in imagination, and with the help of the map, by an entirely different route. But first let him take up the eighth book of the _Aeneid_, and read afresh the oldest and most picturesque of all stories of arrival at Rome;[2] let him dismiss all handbooks from his mind, and concentrate it on Aeneas and his ships on their way from the sea to the site of the Eternal City.