It is singular that the ladies of the stage of this period stand out so prominently for their talents. It must have been by natural genius, for they could have had little enough tradition to guide them, it being only forty or fifty years since the first woman ever trod the boards. Who she was seems to be somewhat obscure, but it probably was Mrs. Coleman, who played Ianthe in the first part of the 'Siege of Rhodes' in 1656, but she did not speak. We know Kynaston, who kept Charles II. waiting whilst he was being shaved to play his part; he of whom Pepys writes[458] thus: 'Kynaston, the boy, had the good turn to appear in three shapes; first as a poor woman in ordinary clothes to please Morose; then in fine clothes, as a gallant; and in them was the prettiest woman in the whole house; and lastly, as a man; and then likewise did appear the handsomest man in the house.' Of him Betterton writes,[459] 'that it has been disputed among the Judicious, whether any _Woman_ could have more sensibly touched the Passions.' He seems to have been the last of the male actors who took female parts, although in 1661 a woman actor was still a novelty. 'There saw the "Scornfull Lady,"[460] now done by a woman, which makes the play much better than ever it did to me.'[461] A Mrs. Sanderson is traditionally said to have been the first woman actress, and she played Desdemona at the theatre in Clare Market on Dec. 8, 1660. Betterton says the mother of Norris, or Jubilee Dickey, 'was the first Woman who ever appeared on the Stage as an Actress.' [Footnote 458: _Diary_, Jan. 7, 1661.] [Footnote 459: _The History of the English Stage._] [Footnote 460: By Beaumont and Fletcher.] [Footnote 461: _Pepys_, Feb. 12, 1661.] Anyhow, never was there a period that could show four such actresses as Mrs. Barry, Mrs. Bracegirdle, Mrs. Oldfield, and Mrs. Verbruggen.