Social Life in the Reign of Queen Anne, Taken from Original SourcesAshton, John
History
Social Life in the Reign of Queen Anne, Taken from Original Sources
Ashton, John
Great Britain -- History -- Anne, 1702-1714; Great Britain -- Social life and customs -- 18th century
[Footnote 455: By Thos. Shadwell.]
[Footnote 456: _Harl. MSS._ 5931, 251.]
Dull sneaking Pinkeman this loss bewail,
And sing his Dirge o're half a pint of Ale,
For if thou more didst spend at once, your Note
You'd Change, and for your Charges cut your throat.
He seems to have retired from the stage after his benefit on May 23,
1724, and he died in 1740.
The other actors, Bullock,[457] Mills, Norris, _alias_ Jubilee Dickey,
Pack Johnson, etc., are unworthy any notice except to chronicle their
names as actors of the time.
[Footnote 457: 'For the Benefit of Will. Bullock.
'At the Theatre Royal in Drury Lane, on Whitson Monday, being the 5th
of June, will be reviv'd a Diverting Comedy call'd the Miser [Thomas
Shadwell]. Written by the Author of the Squire of Alsatia; the part of
Timothy Squeez the Scriveners foolish Son to be acted by Will.
Bullock. With Entertainments of Dancing by Monsieur du Ruell. And Mr.
Clinch of Barnet will perform these several Performances, first an
Organ with three Voices, then the Double Curtel, the Flute, the Bells,
the Huntsman, the Horn, and Pack of Dogs, all with his Mouth; and an
old Woman of Fourscore Years of Age nursing her Grand Child; all of
which he does open on the Stage. Next a Gentleman will perform several
Mimick Entertainments on the Ladder, first he stands on the top round
with a Bottle in one hand and a Glass in the other, and drinks a
Health; then plays several Tunes on the Violin, with fifteen other
surprizing Performances which no man but himself can do. And Will
Pinkeman will dance the Miller's Dance and speak a comical joking
Epilogue on an Ass. Beginning exactly at five a Clock by reason of the
length of the Entertainments. At Common Prices.'--_Daily Courant_,
June 2, 1704.]
Public-domain text, read in full here on John Shaqi.
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