riding schools, or was given up to the loafers and ruffians of the streets, who chose the forenoon of Sunday as the time for settling their differences with their fists. As a popular institution the theatre was practically unknown to the early Victorian era. The old patent houses were supported precariously. Their rivals of more recent date were on the chronic verge of bankruptcy. Night after night popular actors and actresses performed to empty benches. Pleasure seekers from the West were more likely to make up a party to see a man hanged than to make up a party for the play. The new millionaires came in with the new gold. At this earlier date, the men who had realized great fortunes in business, who did not belong on the one hand to the wealthy territorial noblesse, or to the financial plutocracy on the other might be counted on the fingers of a single hand. The Rothschilds had been settled among us for a century. Their opulence had passed into a proverb. Other names belonging to the millionaire category were Arkwright, Strutt, Jones Lloyd, better known to the present generation as Lord Overstone, and Hope. The forerunners of that aristocracy of wealth which sways society to-day, of the Guests, the Crawshays in the iron trade, had not yet appeared. Half a century had passed since the second Pitt had declared that 'every man with forty thousand a year had a right to a peerage.' The Listers, the Holdens, and others were already prosperous manufacturers in the Bradford district. The brewing interest already knew its Basses and its Guinnesses. The peerages and the baronetcies with which these families have since been decorated were reserved for a much later stage of the reign. Even the uncrowned kings of the Australian or Californian gold mines had no subjects in London till the World's Show of 1851 had passed into history. The gradual advancement of the great retail traders typified by the name Peter Robinson, or Maple, to a corresponding dignity on a different level did not take place till our own decade. The social polish and refinement which are the attributes of the new wealth to-day, had not half a century since become dreams of fancy. Rude plenty and coarse splendour characterized the entertainments and the dwellings of the early Victorian plutocracy, as they had marked the hospitality of our Saxon or Norman ancestors. It is a commonplace of conversation to say that none can foretell where the movement which during the last half century has set in with all classes is to stop. Not only the wages of the working classes, but the payments of professional and every kind of skilled industry have increased at a rate predicted to be impossible; but every shilling buys from thirty to fifty per cent. more than formerly of the necessaries and comforts of life. The Prince Consort, as has been already said, did more than any other individual of his day to quicken English workmanship with the artistic sense.