There is something of poverty in our criticism. We assume that there are few great men, all the rest are little; that there is but one Homer, but one Shakspeare, one Newton, one Socrates. But the soul in her beaming hour does not acknowledge these usurpations. We should know how to praise Socrates, or Plato, or Saint John, without impoverishing us. In good hours we do not find Shakspeare or Homer over-great,--only to have been translators of the happy present,--and every man and woman divine possibilities. ’Tis the good reader that makes the good book; a good head cannot read amiss: in every book he finds passages which seem confidences or asides hidden from all else and unmistakably meant for his ear. The light by which we see in this world comes out from the soul of the observer. Wherever any noble sentiment dwelt, it made the faces and houses around to shine. Nay, the powers of this busy brain are miraculous and illimitable. Therein are the rules and formulas by which the whole empire of matter is worked. There is no prosperity, trade, art, city, or great material wealth of any kind, but if you trace it home, you will find it rooted in a thought of some individual man. Is all life a surface affair? ’Tis curious, but our difference of wit appears to be only a difference of impressionability, or power to appreciate faint, fainter, and infinitely faintest voices and visions. When the scholar or the writer has pumped his brain for thoughts and verses, and then comes abroad into Nature, has he never found that there is a better poetry hinted in a boy’s whistle of a tune, or in the piping of a sparrow, than in all his literary results? We call it health. What is so admirable as the health of youth?--with his long days because his eyes are good, and brisk circulations keep him warm in cold rooms, and he loves books that speak to the imagination; and he can read Plato, covered to his chin with a cloak in a cold upper chamber, though he should associate the Dialogues ever after with a woollen smell. ’Tis the bane of life that natural effects are continually crowded out, and artificial arrangements substituted. We remember when, in early youth, the earth spoke and the heavens glowed; when an evening, any evening, grim and wintry, sleet and snow, was enough for us; the houses were in the air. Now it costs a rare combination of clouds and lights to overcome the common and mean. What is it we look for in the landscape, in sunsets and sunrises, in the sea and the firmament? what but a compensation for the cramp and pettiness of human performances? We bask in the day, and the mind finds somewhat as great as itself. In Nature, all is large, massive repose. Remember what befalls a city boy who goes for the first time into the October woods. He is suddenly initiated into a pomp and glory that brings to pass for him the dreams of romance. He is the king he dreamed he was; he walks through tents of gold, through bowers of crimson, porphyry,