Soissons (France) -- Guidebooks; Soissons (France) -- History
Throughout the war, the German gunners made a constant target of the
cathedral tower.
In June 1915, large calibre shells caused the collapse of the great
mullion separating the two bays on the west front, which fell to the
ground, a large breach in the upper part of the tower laying bare the
framework of the belfry (_photo above_). The same collapse caused the
fall of almost all the gables of the lower gallery, the left bay of
which had previously been struck by several shells.
[Illustration: THE TOWER IN MARCH 1919.]
Until 1918, no further damage of importance was done to the façade,
but in August of that year, some days after the French had retaken
Soissons, three sides of the tower (north, south and east) and the
interior framework of the belfry were entirely destroyed by the
numerous German shells. In September 1918, all that remained of the
tower were the two buttresses at the north-west and south-west corners.
By a miracle they remain poised, but loosened stones keep constantly
crashing to the ground (_photo above_).
All the arches of the gallery above the large rose-window were also
destroyed in August 1918.
Interior of the Cathedral.
The cathedral, over 300 feet in length, comprises:
A Nave with seven bays and double side-aisles, with chapels of a later
date added to the last four bays.
A Transept, the south arm of which ends in a semi-circle, and the
north arm in a straight wall.
A Choir with four bays and a semi-circular Apse surrounded by an
ambulatory, off which open eight rectangular chapels, and, at the
apse, five radial polygonal chapels.
[Illustration: PLAN OF THE CATHEDRAL.
A.—Pillar of the Nave broken in 1915.
B.—Gallery of the old Cathedral Cloister.
C.—Chapel in the South Arm.
D.—Vestry Passage (statue of Virgin and Child).
E.—St. Ruffin’s Chapel (17th century statue of the saint).
F.—St. Valère’s Chapel (17th century statue of the saint). ]
The Nave before the Bombardments.
Completed about 1230, the Nave—now entirely destroyed—was regarded
before the war as one of the best examples of the harmonious simplicity
of early 13th century Gothic architecture.
The central vault was about 103 feet in height.
The bays were divided by columns flanked on the side facing the grand
nave by a small engaged shaft. On their fine capitals, decorated with
four rows of crockets or foliage, rested the large arches of the
ground floor, and the groups of five small columns which supported the
springing of the pointed arches of the vault.
The large arcades were surmounted by a shallow triforium and high
double windows with dividing mullions.
The wide, lofty aisles with windows gave additional light to the body
of the church. Their vaulting was pointed and terminated at the last
bays in chapels built for the most part in the 18th century.
Public-domain text, read in full here on John Shaqi.
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