This shows how near a lie may come to the truth. An Irish regiment, for
just so long as it stands still, is generally a hard handful to control,
being reckless and rough. When, however, it is moved in the direction of
musketry-firing, it becomes strangely and unpatriotically content with
its lot. It has even been heard to cheer the Queen with enthusiasm on
these occasions.
But the notion of tampering with the army was, from the point of view of
Tehama Street, an altogether sound one. There is no shadow of stability
in the policy of an English Government, and the most sacred oaths of
England would, even if engrossed on vellum, find very few buyers among
colonies and dependencies that have suffered from vain beliefs. But
there remains to England always her army. That cannot change except
in the matter of uniform and equipment. The officers may write to the
papers demanding the heads of the Horse Guards in default of cleaner
redress for grievances; the men may break loose across a country town
and seriously startle the publicans; but neither officers nor men have
it in their composition to mutiny after the continental manner. The
English people, when they trouble to think about the army at all, are,
and with justice, absolutely assured that it is absolutely trustworthy.
Imagine for a moment their emotions on realising that such and such
a regiment was in open revolt from causes directly due to England's
management of Ireland. They would probably send the regiment to the
polls forthwith and examine their own consciences as to their duty to
Erin; but they would never be easy any more. And it was this vague,
unhappy mistrust that the I. A. A. were labouring to produce.
“Sheer waste of breath,” said the second man after a pause in the
council. “I don't see the use of tampering with their fool-army, but
it has been tried before and we must try it again. It looks well in the
reports. If we send one man from here you may bet your life that other
men are going too. Order up Mulcahy.”
Public-domain text, read in full here on John Shaqi.
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