The man in the chair threw up his head and stared at the mess. “Oh, my
God!” he said, and every soul in the mess rose to his feet. Then the
Lushkar captain did a deed for which he ought to have been given the
Victoria Cross--distinguished gallantry in a fight against overwhelming
curiosity. He picked up his team with his eyes as the hostess picks up
the ladies at the opportune moment, and pausing only by the colonel's
chair to say, “This isn't our affair, you know, sir,” led them into the
verandah and the gardens. Hira Singh was the last to go, and he looked
at Dirkovitch. But Dirkovitch had departed into a brandy-paradise of his
own. His lips moved without sound and he was studying the coffin on the
ceiling.
“White--white all over,” said Basset-Holmer, the adjutant. “What a
pernicious renegade he must be! I wonder where he came from?”
The colonel shook the man gently by the arm, and “Who are you?” said he.
There was no answer. The man stared round the mess-room and smiled in
the colonel's face. Little Mildred, who was always more of a woman than
a man till “Boot and saddle” was sounded, repeated the question in a
voice that would have drawn confidences from a geyser. The man only
smiled. Dirkovitch at the far end of the table slid gently from his
chair to the floor. No son of Adam in this present imperfect world can
mix the Hussars' champagne with the Hussars' brandy by five and eight
glasses of each without remembering the pit whence he was digged and
descending thither. The band began to play the tune with which the
White Hussars from the date of their formation have concluded all their
functions. They would sooner be disbanded than abandon that tune; it is
a part of their system. The man straightened himself in his chair and
drummed on the table with his fingers.
“I don't see why we should entertain lunatics,” said the colonel. “Call
a guard and send him off to the cells. We'll look into the business in
the morning. Give him a glass of wine first, though.”
Little Mildred filled a sherry-glass with the brandy and thrust it over
to the man. He drank, and the tune rose louder, and he straightened
himself yet more. Then he put out his long-taloned hands to a piece of
plate opposite and fingered it lovingly. There was a mystery connected
with that piece of plate, in the shape of a spring which converted what
was a seven-branched candlestick, three springs on each side and one in
the middle, into a sort of wheel-spoke candelabrum. He found the spring,
pressed it, and laughed weakly. He rose from his chair and inspected a
picture on the wall, then moved on to another picture, the mess watching
him without a word. When he came to the mantelpiece he shook his head
and seemed distressed. A piece of plate representing a mounted hussar
in full uniform caught his eye. He pointed to it, and then to the
mantelpiece with inquiry in his eyes.
Public-domain text, read in full here on John Shaqi.
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