Soliloquies in England, and Later Soliloquies — John Shaqi
Soliloquies in England, and Later SoliloquiesSantayana, George
Philosophy
Soliloquies in England, and Later Soliloquies
Santayana, George
American essays -- 20th century
This was a great turn in her career, wonderful in its tragic
possibilities, and something like falling in love; for her new art
brought her a new pleasure and a new unrest, purer and more continual
than those drowsy and terrible ones which she knew before. Reflected
light is beautiful. The direct downpour of light through space leaves
space wonderfully dark, and it falls on the earth indiscriminately
upon the wise and the foolish, to warm or to scorch them; but the
few rays caught by solid matter or drifting vapour become prismatic,
soft, and infinitely varied; not only reporting truly the position and
material diversity of things, but adding to them an orchestration in
design and colour bewitching to the senses. It was not the stars but
the terrestrial atmosphere that the eyes of the flesh were made to
see; even mother Psyche can love the light, when it clothes or betrays
something else that matters; and the fleshly-spiritual Goethe said most
truly: _Am farbigen Abglanz haben wir das Leben_.
5
AVERSION FROM PLATONISM
Repetition is the only form of permanence that nature can achieve,
and in those Mediterranean regions that nurtured the classic mind,
by continually repeating the same definite scenes, nature forced it
to fix its ideas. Every one learned to think that the earth and the
gods were more permanent than himself; he perused them, he returned to
them, he studied them at arm's length, and he recognized their external
divinity. But where the Atlantic mists envelop everything, though we
must repeatedly use the same names for new-born things, as we continue
to christen children John and Mary, yet we feel that the facts, like
the persons, are never really alike; everything is so fused, merged,
and continuous, that whatever element we may choose to say is repeated
seems but a mental abstraction and a creature of language. The weather
has got into our bones; there is a fog in the brain; the limits of our
own being become uncertain to us. Yet what is the harm, if only we
move and change inwardly in harmony with the ambient flux? Why this
mania for naming and measuring and mastering what is carrying us so
merrily along? Why shouldn't the intellect be vague while the heart is
comfortable?
6
CLOUD CASTLES
Public-domain text, read in full here on John Shaqi.
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