The admission that German _Kultur_ is merely national, which might seem to promise peace and goodwill, may be turned in this way into a sinister claim to absolute dominion. The ancients and the church had supposed that all men, though endowed with talent and goodness in the most various degrees, had qualitatively the same nature. The same passions, the same arts, and the same salvation were proper to them all. The servant, in furthering the aims of his betters, served what his own soul potentially loved and was capable of appropriating; there could be religion and love in his subordination. Reciprocally the master could feel respect and affection for his servants, who were his wards and his god-children. The best things in classic life--religion, poetry, comradeship, moral sagacity--were shared by the humblest classes and expressed their genius. The temple, the church, the agora, the theatre, Socrates, and the saints were of the people. German _Kultur_, on the contrary, boasts that it is not the expression of diffused human nature, but the product of a special and concentrated free will. It is therefore incommunicable, unrepresentative. It is not felt by any one else to realize his ideal, but seems foreign to him, forced and unamiable. Every nation loves its idiosyncrasies and, until it reflects, thinks its own balance of faculties, like its language, more natural than other people's. But the prophets of Germanism have turned this blameless love of home and its sanctities into a deliberate dogma that everything German has a divine superiority. This dogma they have foisted on a flattered and trustful nation, with the command to foist it on the rest of the world. The fatuity of this is nothing new, many nations and religions having shared it in their day, and we could afford to laugh at it, if by direct and indirect coercion it did not threaten to trespass upon our liberties. What is universally acceptable in German _Kultur_ is what it contains that is not German but human, what with praiseworthy docility it has borrowed from the ancients, from Christianity, from the less intentional culture of its modern neighbours. The Teutonic accent which these elements have acquired is often very engaging; it adds to them a Gothic charm for the lack of which mankind would be the poorer. But the German manner, in art, in philosophy, in government, is no better--in its broad appeal to human nature we may fairly say it is worse--than the classic manner which it hopes to supersede. It is avowedly a product of will, arbitrary, national, strained; it is not superior to what other nations possess or may create but only different, not advanced but eccentric. To study it and use it for a stimulus may be profitable in times and places of spiritual famine or political chaos, but to impose it as normal, not to say as supreme, would be a plain invasion of human liberty. 42 LIBERALISM AND CULTURE