Taken for what they really are, these humanistic philosophies express different sides of human nature. The best (and earliest) is the Platonic, because the side of human nature which it expresses and fosters is the spiritual side. Platonic metaphysics projects into the universe the moral progress of the soul. It is like a mountain lake, in which the aspirations and passions of a civilized mind are reflected upside down; and a certain tremor and intensity is added to them in that narrower frame, which they would hardly have in the upper air. This system renders the life of the soul more unified and more beautiful than it would otherwise be. Everything becomes magical, and a sort of perpetual miracle of grace; the forms which things wear to the human mind are deputed to be their substance; the uses of life become its protecting gods; the categories of logic and of morals become celestial spheres enclosing the earth. A monstrous dream, if you take it for a description of nature; but a suitable allegory by which to illustrate the progress of the inner life: because those stages, or something like them, are really the stages of moral progress for the soul. The British and German philosophies belong to an analytic phase of reflection, without spiritual discipline, and their value is merely psychological. Their subject matter is human knowledge; and the titles of many of the chief works of this school confess that this is their only theme. Not moral life, much less the natural world, but simply the articulation of knowledge occupies them; and yet, by the hocus-pocus of metaphysics, they substitute this human experience for the whole universe in which it arises. The universe is to be nothing but a flux of perceptions, or a will positing an object, or a tendency to feign that there is a world. It would ill become me, a pupil of this philosophy, to deny its profundity. These are the heart-searchings of "a creature moving about in worlds not realized." It is a wonderful thing to spin out in soliloquy, out of some unfathomed creative instinct, the various phases of one's faith and sensibility, making an inventory of one's intellectual possessions, with some notes on their presumable or reported history. I love the lore of the moral antiquary; I love rummaging in the psychological curiosity shop. The charm of modern life is ambiguous; it lies in self-consciousness. Egotism has its tender developments; there is a sort of engaging purity in its perplexities and faithful labours. The German soul has a great volume, and Hamlet is heroic even in his impotence. When in this little glow-worm which we call man there is so much going on, what must not all nature contain in its immensity? Yet all these advances in analysis and in psychological self-knowledge, far from enriching the modern philosopher and giving him fresh hints for the interpretation of the great world, have been neutralized, under the guise of scepticism, by