Soliloquies in England, and Later SoliloquiesSantayana, George
Philosophy
Soliloquies in England, and Later Soliloquies
Santayana, George
American essays -- 20th century
of friendly inspiring breezes and setting suns, enveloping his rambles
and his perplexities. The world to him is a theatre for the soliloquy
of action. There is a comfortable luxuriousness in all his attitudes.
He thinks the prize of life worth winning, but not worth snatching. If
you snatch it, as Germans, Jews, and Americans seem inclined to do, you
abdicate the sovereignty of your inner man, you miss delight, dignity,
and peace; and in that case the prize of life has escaped you.
As the Englishman disdains to peer and is slow to speculate, so
he resents any meddling or intrusion into his own preserves. How
sedulously he plants out his garden, however tiny, from his neighbours
and from the public road! If his windows look unmistakably on the
street, at least he fills his window-boxes with the semblance of a
hedge or a garden, and scarcely allows the dubious light to filter
through his blinds and lace curtains; and the space between them, in
the most dingy tenement, is blocked by an artificial plant. He is quite
willing not to be able to look out, if only he can prevent other people
from looking in. If they did, what would they see? Nothing shocking,
surely; his attitude by his fireside is perfectly seemly. He is not
throwing anything at the family; very likely they are not at home. Nor
has he introduced any low-class person by the tradesman's entrance,
in whose company he might blush to be spied. He is not in deshabille;
if he has changed any part of his street clothes it has not been from
any inclination to be slovenly in private, but on the contrary to
vindicate his self-respect and domestic decorum. He does not dress to
be seen of men, but of God. His elegance is an expression of comfort,
and his comfort a consciousness of elegance. The eyes of men disquiet
him, eminently presentable though he be, and he thinks it rude of them
to stare, even in simple admiration. It takes tact and patience in
strangers--perhaps at first an ostentatious indifference--to reassure
him and persuade him that he would be safe in liking them. His frigid
exterior is often a cuticle to protect his natural tenderness, which he
forces himself not to express, lest it should seem misplaced or clumsy.
There is a masculine sort of tenderness which is not fondness, but
craving and premonition of things untried; and the young Englishman is
full of it. His heart is quiet and full; he has not pumped it dry, like
ill-bred children, in tantrums and effusive fancies. On the other hand,
passions are atrophied if their expression is long suppressed, and we
soon have nothing to say if we never say anything. As he grows old the
Englishman may come to suspect, not without reason, that he might not
reward too close a perusal. His social bristles will then protect his
intellectual weakness, and he will puff himself out to disguise his
vacuity.
Public-domain text, read in full here on John Shaqi.
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