Soliloquies in England, and Later SoliloquiesSantayana, George
Philosophy
Soliloquies in England, and Later Soliloquies
Santayana, George
American essays -- 20th century
himself--the priests, politicians, actors, pedagogues, and shopkeepers.
The _man_ is he who lives and relies directly on nature, not on the
needs or weaknesses of other people. These self-sufficing Englishmen,
in their reserve and decision, seemed to me truly men, creatures of
fixed rational habit, people in whose somewhat inarticulate society
one might feel safe and at home. The low pressure at which their minds
seemed to work showed how little they were alarmed about anything:
things would all be managed somehow. They were good company even when
they said nothing. Their aspect, their habits, their invincible likes
and dislikes seemed like an anchor to me in the currents of this
turbid age. They were a gift of the gods, like the sunshine or the
fresh air or the memory of the Greeks: they were superior beings, and
yet more animal than the rest of us, calmer, with a different scale
of consciousness and a slower pace of thought. There were glints in
them sometimes of a mystical oddity; they loved the wilds; and yet
ordinarily they were wonderfully sane and human, and responsive to the
right touch. Moreover, these semi-divine animals could talk like men
of the world. If some of them, and not the least charming, said little
but "Oh, really," and "How stupid of me," I soon discovered how far
others could carry scholarly distinction, rich humour, and refinement
of diction. I confess, however, that when they were very exquisite or
subtle they seemed to me like cut flowers; the finer they were the
frailer, and the cleverer the more wrong-headed. Delicacy did not come
to them, as to Latin minds, as an added ornament, a finer means of
being passionate, a trill in a song that flows full-chested from the
whole man; their purity was Puritanism, it came by exclusion of what
they thought lower. It impoverished their sympathies, it severed them
from their national roots, it turned to affectation or fanaticism,
it rendered them acrid and fussy and eccentric and sad. It is truly
English, in one sense, to fume against England, individuality tearing
its own nest; and often these frantic poses neutralize one another and
do no harm on the whole. Nevertheless it is the full-bodied Englishman
who has so far ballasted the ship, he who, like Shakespeare, can wear
gracefully the fashion of the hour, can play with fancy, and remain a
man. When he ceases to be sensual and national, adventurous and steady,
reticent and religious, the Englishman is a mad ghost; and wherever he
prevails he turns pleasant England, like Greece, into a memory.
Public-domain text, read in full here on John Shaqi.
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