Solitude: With the Life of the Author. In Two PartsZimmermann, Johann Georg
Philosophy
Solitude: With the Life of the Author. In Two Parts
Zimmermann, Johann Georg
Solitude
Numa, the legislator of Rome, while he was only a private individual,
retired on the death of Tatia, his beloved wife, into the deep forests
of Aricia and wandered in solitary musings through the thickest groves
and most sequestered shades. Superstition imputed his lonely propensity,
not to disappointment, discontent, or hatred to mankind, but to a higher
cause: a wish silently to communicate with some protecting deity. A rumor
was circulated that the goddess Egeria, captivated by his virtues, had
united herself to him in the sacred bonds of love, and by enlightening
his mind, and storing it with superior wisdom, had led him to divine
felicity. The Druids also, who dwelt among the rocks, in the woods,
and in the most solitary places, are supposed to have instructed the
infant nobility of their respective nations in wisdom and in eloquence,
in the phenomena of nature, in astronomy, in the precepts of religion,
and the mysteries of eternity. The profound wisdom thus bestowed on the
characters of the Druids, although it was, like the story of Numa, the
mere effects of imagination, discovers with what enthusiasm every age and
country have revered those venerable characters who in the silence of the
groves, and in the tranquillity of solitude, have devoted their time and
talents to the improvement of the human mind, and the reformation of the
species.
Genius frequently brings forth its finest fruit in solitude, merely by
the exertion of its own intrinsic powers, unaided by the patronage of the
great, the adulation of the multitude, or the hope of mercenary reward.
Flanders, amidst all the horrors of civil discord, produced painters as
rich in fame as they were poor in circumstances. The celebrated Correggio
had so seldom been rewarded during his life, that the paltry payment of
ten pistoles of German coin, and which he was obliged to travel as far
as Parma, to receive, created in his mind a joy so excessive, that it
caused his death. The self-approbation of conscious merit was the only
recompense these great artists received; they painted with the hope of
immortal fame; and posterity has done them justice.
Public-domain text, read in full here on John Shaqi.
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