American fiction -- 19th century; Short stories, American
I lighted all the candles, and Ermine brought forward the easel; upon it
stood a sketch in charcoal wonderful to behold,--the same face, the face
of the faded wife, but so noble in its idealized beauty that it might
have been a portrait of her glorified face in Paradise. It was a
profile, with the eyes upturned,--a mere outline, but grand in
conception and expression. I gazed in silent astonishment.
Ermine said, 'Yes, I knew you could do it, Solomon. It is perfect of its
kind.' The shadow of a smile stole over the pallid face, and then the
husband's fading gaze turned upward to meet the wild, dark eyes of the
wife.
'It's you, Dorcas,' he murmured; 'that's how you looked to me, but I
never could get it right before.' She bent over him, and silently we
watched the coming of the shadow of death; he spoke only once, 'My rose
of Sharon--' And then in a moment he was gone, the poor artist was dead.
Wild, wild was the grief of the ungoverned heart left behind; she was
like a mad-woman, and our united strength was needed to keep her from
injuring herself in her frenzy. I was frightened, but Ermine's strong
little hands and lithe arms kept her down until, exhausted, she lay
motionless near her dead husband. Then we carried her down stairs and I
watched by the bedside, while my cousin went back to the studio. She was
absent some time, and then she came back to keep the vigil with me
through the long, still night. At dawn the woman woke, and her face
looked aged in the gray light. She was quiet, and took without a word
the food we had prepared awkwardly enough, in the keeping-room.
'I must go to him, I must go to him.' she murmured, as we led her back.
'Yes,' said Ermine, 'but first let me make you tidy. He loved to see you
neat.' And with deft, gentle touch she dressed the poor creature,
arranging the heavy hair so artistically that, for the first time, I saw
what she might have been, and understood the husband's dream.
'What is that?' I said, as a peculiar sound startled us.
'It's Roarer. He was tied up last night, but I suppose he's gnawed the
rope,' said the woman. I opened the hall door, and in stalked the great
dog, smelling his way directly up the stairs.
'O, he must not go!' I exclaimed.
'Yes, let him go, he loved his master,' said Ermine; 'we will go too.'
So silently we all went up into the chamber of death.
The pictures had been taken down from the walls, but the wonderful
sketch remained on the easel, which had been moved to the head of the
couch where Solomon lay. His long, light hair was smooth, his face
peacefully quiet, and on his breast lay the beautiful bunch of autumn
leaves which he had arranged in our honor. It was a striking
picture,--the noble face of the sketch above, and the dead face of the
artist below. It brought to my mind a design I had once seen, where Fame
with her laurels came at last to the door of the poor artist and gently
knocked; but he had died the night before!
Public-domain text, read in full here on John Shaqi.
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