American fiction -- 19th century; Short stories, American
Ermine looked on in silence for a moment or two, then she took off her
neck-tie, a bright-colored Roman scarf, and threw it across the trap
into the woman's lap. 'Do me the favor to accept that trifle, madame,'
she said, in her soft voice.
The woman's sobs ceased as she saw the ribbon; she fingered it with one
hand in silent admiration, wiped her wet face with the skirt of her
gown, and then suddenly disappeared into an adjoining room, closing the
door behind her.
'Do you think she is crazy?' I whispered.
'O no; merely pensive.'
'Nonsense, Ermine! But why did you give her that ribbon?'
'To develop her æsthetic taste,' replied my cousin, finishing her last
glass, and beginning to draw on her delicate gloves.
Immediately I began gulping down my neglected dose; but so vile was the
odor that some time was required for the operation, and in the midst of
my struggles our hostess re-appeared. She had thrown on an old dress of
plaid delaine, a faded red ribbon was tied over her head, and around her
sinewed throat reposed the Roman scarf pinned with a glass brooch.
'Really, madam, you honor us,' said Ermine, gravely.
'Thankee, marm. It's so long since I've had on anything but that old
bag, and so long since I've seen anything but them Dutch girls over to
the Community, with their wooden shapes and wooden shoes, that it sorter
come over me all 't onct what a miserable life I've had. You see, I
ain't what I looked like; now I've dressed up a bit I feel more like
telling you that I come of good Ohio stock, without a drop of Dutch
blood. My father, he kep' store in Sandy, and I had everything I wanted
until I must needs get crazy over Painting Sol at the Community. Father,
he wouldn't hear to it, and so I ran away; Sol, he turned out good for
nothing to work, and so here I am, yer see, in spite of all his pictures
making me out the Queen of Sheby.'
'Is your husband an artist?' I asked.
'No, miss. He's a coal-miner, he is. But he used to like to paint me all
sorts of ways. Wait, I'll show yer.' Going up the rough stairs that led
into the attic, the woman came back after a moment with a number of
sheets of drawing-paper which she hung up along the walls with pins for
our inspection. They were all portraits of the same face, with brick-red
cheeks, enormous black eyes, and a profusion of shining black hair
hanging down over plump white shoulders; the costumes were various, but
the faces were the same. I gazed in silence, seeing no likeness to
anything earthly. Erminia took out her glasses and scanned the pictures
slowly.
'Yourself, madam, I perceive' she said, much to my surprise.
'Yes, 'm, that's me,' replied our hostess, complacently. 'I never was
like those yellow-haired girls over to the Community. Sol allers said my
face was real rental.'
'Rental?' I repeated, inquiringly.
'Oriental, of course,' said Ermine. 'Mr.--Mr. Solomon is quite right.
May I ask the names of these characters, madam?'
Public-domain text, read in full here on John Shaqi.
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