Here, then, we find in ancient Indian literature a tale which may be fairly regarded as the origin of the "Judgment of Solomon." And it belongs to a large number of Oriental tales in which the situations and accents of the Biblical narratives concerning David and Solomon often occur. There is a cave-born youth, Asuga, son of a Brahman and a bird-fairy, with a magic lute which accompanies his verses, and who dallies with Brahmadetta's wife. A king, enamored of a beautiful foreign woman beneath him in rank, obtains her by a promise that her son, if one is born, shall succeed him on the throne, to the exclusion of his existing heir by his wife of equal birth; but he permits arrangements for his elder son's succession to go on until induced by a threat of war from the new wife's father and country to fulfil his promise. A prime minister, Mahaushadha, travels, in disguise of a Brahman, in order to find a true wife; he meets with a witty maiden (Visakha), who directs him to her village by a road where he will see her naked at a bathing tank, though she had taken another road. This minister was, like David, lowly born; a "deity" revealed him to the king, as Jahveh revealed David to Samuel; he was a seventh minister, as David was a seventh son, and Solomon also. Although the number seven was sacred among the ancient Hebrews, it does not appear to have been connected by them with exceptional wisdom or occult powers in man or woman. The ideas in which such legends as "The Seven Wise Masters," "The Seven Sages," and the superstition about a seventh son's second-sight, originate, are traceable to ancient Indo-Iranian theosophy. It may be useful here to read the subjoined extract from Darmesteter's introduction to the "Vendîdâd." Having explained that the religion of the Persian Magi is derived from the same source as that of the Indian Rishis, that is, from the common forefathers of both Iranian and Indian, he says: