Solomon Crow's Christmas Pockets and Other TalesStuart, Ruth McEnery
General
Solomon Crow's Christmas Pockets and Other Tales
Stuart, Ruth McEnery
Christmas stories; Louisiana -- Social life and customs -- Fiction; New Orleans (La.) -- Fiction
And once--but this was many years ago, and the incident was quite
forgotten now--when a crowd of street fellows began pelting Crazy Jake,
a foolish, half-paralyzed black boy, who begged along the streets,
Easter had stepped before him, and, after receiving a few of their clods
in her face, had struck out into the gang of his tormenters, grabbed two
of its principal leaders by the seats of their trousers, spanked them
until they begged for mercy, and let them go.
Nobody knew what had become of Crazy Jake after that. Nobody cared. The
poor human creature who is not due at any particular place at any
particular time can hardly be missed, even when the time comes when he
himself misses the _here_ and the _there_ where he has been wont to
spend his miserable days, even when he, perhaps having no one else, it
is possible that he misses his tormenters.
It was a little school-girl who saw the old woman lower her basket to
share her scraps with the street dog. It seemed to her a pretty act,
and so she told it when she went home. And she told it again at the next
meeting of the particular "ten" of the King's Daughters of which she was
a member.
And this was how the name of Easter, the old black candy-woman, came to
be written upon their little book as their chosen object of charity for
the coming year.
The name was not written, however, without some opposition, some
discussion, and considerable argument. There were several of the ten who
could not easily consent to give up the idea of sending their little
moneys to an Indian or a Chinaman--or to a naked black fellow in his
native Africa.
There is something attractive in the savage who sticks bright feathers
in his hair, carries a tomahawk, and wears moccasins upon his nimble
feet. Most young people take readily to the idea of educating a
picturesque savage and teaching him that the cast-off clothes they send
him are better than his beads and feathers. The picturesque quality is
very winning, find it where we may.
People at a distance may see how very much more interesting and
picturesque the old black woman, Easter, was than any of these, but she
did not seem so to the ten good little maidens who finally agreed to
adopt her for their own--to find her out in her home life, and to help
her.
With them it was an act of simple pity--an act so pure in its motive
that it became in itself beautiful.
Perhaps the idea gained a little following from the fact that Easter
Sunday was approaching, and there was a pleasing fitness in the old
woman's name when it was proposed as an object for their Easter
offerings. But this is a slight consideration.
Certainly when three certain very pious little maidens started out on
the following Saturday morning to find the old woman, Easter, they were
full of interest in their new object, and chattered like magpies, all
three together, about the beautiful things they were going to do for
her.
Public-domain text, read in full here on John Shaqi.
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