Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
But I must not dwell longer on what is merely legendary, but return to
this church of San Isidoro at Leon. It is cruciform in plan,[129] with
apsidal chapels on the eastern side of the transepts. The nave and
aisles are of six bays in length, and there is a tower detached to the
west. There is a chapel dedicated to Sta. Catalina (now called El
Panteon) at the north-west end of the church, and a choir of the
sixteenth century takes the place of the original apse. The whole of the
nave is vaulted with a waggon-vault, with transverse ribs under it in
each bay; and this vault is continued on without break to the chancel
arch, there being no lantern at the crossing. The arches into the
transepts have a fringe of cusping on their under sides, which has a
very Moorish air, and the transepts are vaulted with waggon-vaults, but
at a lower level than the nave. The chapels to the east of the transept
are roofed with semi-domes. The nave has bold columns, with richly
sculptured capitals, stilted semi-circular arches, and a clerestory of
considerable height, with large windows of rich character.
The whole interior of the church has been picked out in white and brown
washes to such an extent, that at first sight its effect is positively
repulsive: nevertheless, its detail is very fine. The capitals are all
richly sculptured, generally with foliage arranged after the model of
the Corinthian capital; but some of them _historiés_ with figures of men
and beasts; and I noticed one only with pairs of birds looking at each
other. The western part of the church is abominably modernized, but the
alterations in the fabric evidently commenced at a very early period,
for in the south aisle one of the groining-shafts is carried up exactly
in front of what appears to be one of the original aisle windows. I
confess myself quite at a loss to account for this, unless it be by the
assumption that the church, consecrated in A.D. 1149, was commenced on
the same type as S. Sernin, Toulouse--copied, as we shall see further
on, at Santiago--and that before the consecration the original triforium
had been altered into a clerestory by the alteration of the aisle-roofs
and the introduction of quadripartite vaulting in them at a lower level,
thus necessitating the introduction of the groining-shaft in front of a
window. The difficulty did not occur to me forcibly when I was on the
spot, and I am unable to say, therefore, how far a thoroughly close
examination of the work would clear it up. It might of course be said
that such an alteration proves that the church was of two periods; and
such an opinion would be to some extent supported by reference to the
certainly early character of the south door, which might have been
executed before A.D. 1063. But I am, on the whole, disposed rather to
regard the chapel of Sta. Catalina as the original church, and to assume
that the remainder of the building was built between A.D. 1063 and A.D.
Public-domain text, read in full here on John Shaqi.
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